Monday, May 09, 2016

DEFINING THE NOVELLA

by Carol Browne

As authors go, I consider myself to be fairly ignorant when it comes to the mechanics of my craft. I’m like someone who drives but hasn’t a clue how the engine works and can’t tell one make of car from another. I find myself perplexed at times by the multitude of genres and their crossovers. Similarly, the many structures and formats one is supposed to adhere to are tiresome. Perhaps I don’t like rules and regulations, or it could be I’m too lazy to learn them.

Recently, when I finished my latest work, a novella called Reality Check, I decided to address my ignorance of basic literary structures by finding out exactly what constitutes a novella.

The novella (Italian,‘new’) started to develop as a literary genre during the Renaissance (notably in 1348 with the The Decameron by Giovanni Boccaccio), and in the late-eighteenth and early-nineteenth centuries the genre acquired various rules and structural requirements.

With a word count of between 17,500 and 40,000, the novella tends to be more complex than a short story but has far fewer conflicts than a novel. Frequently a novella is designed to be read at a single sitting.

Chapter divisions, subplots, different points of view, and changes in genre are not features commonly found in the novella. It turns its back on the wider world to focus instead on personal development. It’s like taking a short story then embellishing it with descriptive passages, expanding on the characterisation, and exploring the conflicts in greater depth.

You’d be surprised to know how many great literary works are novellas—Franz Kafka’s The Metamorphosis, John Steinbeck’s Of Mice and Men, F. Scott Fitzgerald’s The Great Gatsby, and Oscar Wilde’s The Picture of Dorian Grey, to name but a few.

I’m surprised to find that Reality Check meets the requirements, albeit by accident! Out of interest I also note that German writers see the novella as a narrative of any length that focuses on one suspenseful situation or conflict, with a decisive turning point that leads to a reasonable but surprising conclusion. Reality Check has ticked all the boxes there too. All I need now is a publisher!


Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

11 comments:

  1. Very interesting! Thanks for sharing, Carol!

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  2. Good to know what I'm working on now fits the criteria of a novella.

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  3. Very interesting. I did not know what a novella was. It is one of those words that you think you know and then find out you don't.

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  4. Thanks for sharing the ins-and-outs of crafting an novella, Carol!

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  5. Thanks for hosting me, Sloane, and thank you, everyone, for your comments.

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  6. Congrats on finishing your novella, Carol!

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  7. I did not know what the rules of a novella are either, so found this informative and helpful! Good luck with finding a publisher for yours Carol!

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  8. Thanks for the info Carol. Interesting!

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  9. Thanks for the info Carol. Interesting!

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  10. Interesting points, Carol. I like to intersperse my novel writing with writing novellas as a sort of light relief with fewer threads to tie up.

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