Nothing is More Valuable than Memories

 from Anne Montgomery

A while back, I returned home to find the front door ajar. My first concern was that my dogs had gotten out, but when I went inside, they both stared at me and wagged their tails. Did I spy a wee sense of guilt on their doggy faces? 

Though I saw nothing out of place in the living room, something felt wrong. Then, I approached my bedroom and a chill ran down my spine. The mess inside showed I’d been burglarized. I briefly wondered if the perpetrator was still in the house, but since the dogs were sitting placidly, I realized I was alone.

“Really?” I squinted at my two cattle-dog pups. “You couldn’t bark or something?”

They responded by vigorously wagging their tails.

I turned back to the mess in my room. The drawers had been rifled. The decorative boxes on my dresser had been dumped onto the bed, what remained of my jewelry scattered in glittery bits on the bedspread and floor. It was easy to see that the good stuff was gone. That the really good stuff was in a safe gave me a moment of relief. But then I thought of my ring, the emerald and diamond piece my sweetie pie presented to me on a beautiful day in the desert, an adornment he purchased because of my love of emeralds and because he wanted us to be together forever.

The box where I kept the ring was empty.

It wasn’t until later that I noticed my office had been searched as well, but nothing appeared to be missing.

Sadly, I was wrong. “I can’t find my log.”

"I’m sure it’s here somewhere,” Ryan said.

But we searched and the book was gone. I was heartbroken.

What had disappeared was my dive log, a planner, of sorts, dedicated to those of us who scuba dive. The idea is that when you’re a new diver, reflecting on what happened underwater is a good way to become a better diver. Generally, we document the conditions: water and air temperature, dive site, date, and dive profile. Then we write down what we saw – beautiful jewel colored fishes on a sunlit reef, magnificent sharks, charming dolphins, sea turtles and star fish and eels and nudibranchs.

But we also revisit what went wrong on a dive: losing track of your partner, not paying attention to air consumption, getting caught in a current, misplacing the dive boat. The log contains stamps, as well, verifying special dives on wrecks and others where we descended below 100 feet.

So, the log is a reflection on our dive memories and underwater performance. The idea is to document your first one hundred dives, a milestone I was approaching.

The other day, Ryan and I were walking our dogs. I don’t recall how the question came up, but it hung between us. “Which do you miss more, your emerald ring or your dive log?” he asked.

I didn’t answer right away, but I couldn’t lie. “My dive log,” I said wistfully.

“I knew you’d say that.” Then he smiled.

I’m so glad he understood.

Now, I have a new dive log that Ryan bought me, one with lots of clean, white pages. I guess I’ll just have to start over, so I've got a lot of diving to do.

Yes! 

Here's a little from my suspense novel based on a true incident. It's not romance but I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, and Twitter.

MAMMA MIA!

 I was so out of my league!

from Anne Montgomery 

Sometimes we do things that, as Forrest Gump would say, "Just don't make no sense."

 And I am guilty of such an act, mostly because I ignored the numbers and severely overestimated my abilities.

 I have written about the fact that I performed in a community theater production of the musical Company in the past. Though it was initially terrifying, in the end I made friends and had fun. So, it seemed rational that I give it another try. Mamma Mia was coming up and I wanted to give it a shot.

 I started singing along to the Mamma Mia CD in my car in February.  I thought I was ready. Even the cast descriptions didn't deter me. Though, admittedly, the fact that the "elder" female characters were listed as "late 30s-early 50s" should have tickled my spidey senses.

 This time around, auditions were very different. Four times the number of actors showed up. And there was improv involved. Still, I thought I had a shot at making the cast, until I arrived at the dance callbacks.

 My first clue should have been the young lady spread-eagled flat on the floor, stretching in preparation. In fact, the stage was littered with bodies of those limbering up. I was a tad bemused, as I had seen the movie and didn’t notice too much complicated-looking dancing, at least not from the named characters. Had I considered that the stage version might be vastly different from the one with Meryl Streep and her pals, I might have been forewarned.

Those hoping for a spot in the cast filled the stage facing a thin, twenty-something with a high, tawny pony tail and black leggings. She announced that we would be learning a series of dance steps.

 “OK! Face the back," she said, reminiscent of a drill instructor. " Now, hips left, then right, and spin to the front. And … right arm up high. Good. Now side step. And back. Other side. Full turn to the left and drop to your knees.”

My head popped up. Drop to my knees? Did she mean the ones that have functioned for the last 15 years thanks to the miracle of modern science, infusions injected with big-ass needles that always make me wince? Those knees?

Not wanting to stand out, I dropped to the floor. I almost bellowed like a moose giving birth, but managed to stop myself.

“Now roll over on your butt and jump up.”

In my case, said roll did not occur. I just stared at the choreographer.

“Now … leap!” She took to the air.

Leap? The thing about leaping is there always tend to be landings involved.

The choreographer encouraged us to leap in this fashion. Don't you agree it hurts just to look at this picture?

“Those of you who want to can bend your leg while leaping. Like this.” She launched herself skyward again. “Point your toes,” she said, alighting gracefully. “Second line, move up to the front.”

Hoping no one would notice, I melted into the back, which would be my primary strategy throughout the ordeal.

After an hour, we took a break. To my horror, five minutes later we were at it again.

“Let’s do another one,” she said. “This one will be easy. Even I can do it.” She smiled prettily.

What I wanted most was to go all Tonya Harding on her kneecaps. “See what you feel like when you’re over 60,” I muttered under my breath, as I mounted the stage.

Another hour passed. I longed for my chiropractor.

I know what your thinking. Why didn’t I just go sit down? Pride, I suppose. Or maybe just plain stubbornness. A few other older women had taken seats. I say “older” here with a caveat. If I had to guess, with the exception of my friend Scott, there was probably no one over 50 auditioning. Clearly, I was pretty much alone as a mid-sexagenarian.

Mercifully, the dancing finally ended. But my humiliation was not over.

Scott appeared. “Hey! You need to go in the back.”

I heard women’s voices singing Dancing Queen from backstage. “Why?”

“The mothers are auditioning,” he explained, using the term applied to the older adult women trying out for a part.

Not knowing how I could have missed the others being called away, I leapt – OK, in my mind, I leapt – onto the stage and bolted through a curtain and down a ramp toward the piano, where about eight women were lined up single file.

“I am so sorry I’m late!” I shouted.

All heads turned toward me. A woman looked up, paper and pencil in hand. “Your name?”

“Anne.”

She scrutinized the document.

The director rose from his seat.

“You’re not on the list,” he said. “You were called back only for a dancing part.”

I suddenly realized that if getting a part hinged on my dancing skills, I would need other plans for the summer. “I am … so sorry!”

I fled.

I found Scott in the seats and chastised him. It wasn’t his fault, though. He simply assumed I should be back there with the others, which in retrospect was sweet.

The director soon dismissed those of us who wouldn’t be invited to participate in any further auditions. Totally dejected, I sneaked out the back door.

When I got home, my sweetie pie stared at me. “I’m sorry,” he said without asking what happened.

I wondered if he’d had a premonition, since he already had a glass of wine poured and waiting for me.

“Maybe they did you a favor,” he said a short time later, as I sat in my jammies feeling sorry for myself, rubbing my aching knees.

I sipped my wine and pouted. “Maybe.”

Later that night, wrapped in two cold packs and a heating pad, I licked my wounds and considered whether I would ever try out for another play.

I'm thinking about it. I'll let you know.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, and Twitter.

Maybe I'll Have to Share

from Anne Montgomery

Sometimes, life throws you a rose. Or, in my case, a brownie.

Let me explain.

Recently I received an e-mail.

Hello, Anne!

I was looking at our records and noticed that you have been a Fairytale Brownies customer since 1995. Thank you for loving our brownies!

Our co-founders, Eileen Spitalny and David Kravetz, will be giving special VIP tours of the Fairytale Brownies bakery before our annual Open House next Tuesday and we would love for you to be a part of it. Are you available for a 2:30 p.m. tour? We would love for you and a guest to join them. Please let me know if you can make it. Spaces for the tour are reserved.

Thanks!

How cool is that!

Of course, I jumped right on the opportunity to see the fairies bake the brownies I’ve been sending friends for years. I’ve spread those chocolaty delights worldwide. So, I called my youngest son - who has dabbled with the idea of becoming a pastry chef - and made the date.

Upon entering the massive kitchen in Phoenix, a fabulous aroma makes visitors swoon.

It might be all that butter and those big bricks of chocolate shipped in from Belgium.

It might be giant racks of brownies, with lovely names like Toffee Crunch, Chocolate Chip Blondie, Espresso Nib, Mint Chocolate, and Raspberry Swirl.

Whatever it is, my son and I agreed it was magical.

As we toured the facility, I was on the lookout for the brownie fairies, but they were often shy and elusive. We caught this one hiding behind a massive pile of sugar.

Others were tasked with sorting scads of swirly, cream cheese brownies.




Then there was the freezer. A good 50 yards of frozen treats, packed high to the rafters on both sides. Though I'm a desert dweller and quite averse to the cold, I contemplated remaining in that fridge, setting up a tent and one of those high-altitude sleeping bags, a warm cap over my head, a matching scarf perhaps, and some mittens. In the advent of a zombie apocalypse it might be the perfect place to stay.

Unless, of course, zombies like brownies.

Gosh. Maybe I'll have to share.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

I'm Running Out of Time!

from Anne Montgomery

Hold onto your hats!

I do not now – nor have I ever – owned a cellphone.

Now don’t jump to conclusions and assume I must be an old technophobe. I’m well versed in both MACS and PCs. I can layout a newspaper in InDesign and use Photoshop. I am on Facebook, Twitter, and LinkedIn, and have multiple e-mail accounts, a website, and a blog.

So why no cellphone? First, I’m a teacher who spends a great deal of time and energy trying to keep my students focused on lessons. Surveys show that teens 15 to 18 spend almost nine hours each day utilizing on-line media. Children eight to 12-years-old are logging about six hours daily. These kids are more anxious than their predecessors, with higher rates of suicide and depression.

Now let's consider what these children might be missing with so much time focused on a screen. Other than the issues involved in falling behind in the classroom, many are not participating in sports and clubs, so social interaction is limited. I know people will argue that they are interacting with others on-line, but as a teacher of communication skills, I know in-person contact is much more important.

Anyone who doesn't believe that children are addicted to their phones - as are many adults - are kidding themselves.

So, how do we get people to disengage? Dr. Michael Ungar wrote in Psychology Today, "(I)t would appear that at least part of the solution to our children’s cell phone addiction is to offer them equally stimulating and socially engaging opportunities to do things that produce the same brain rewards as ... staring at a small blue screen."

Ungar went on to say that the solution is "providing young people with lots and lots (and lots) of opportunities to stay engaged with each other, to participate in arts and sports activities, and to have safe spaces after school to hang out."

Of course, we must get kids to buy into putting down their phones and, in my experience, that is almost impossible.

The other problem with phones is the damaging effect they have on relationships. Time reporter Mandy Oaklander wrote in her article How Your Smart Phone is Ruining Your Relationship, "Real-life interactions are dulled when a person feels the urge to check their phone, and the distraction a phone affords one partner doesn’t make the other person feel good.”

Oaklander says phones are interfering with our relationships, leaving us anxious.

“It didn’t matter much how much a person used their device, but how much a person needed their device did. People who were more dependent on their smartphones reported being less certain about their partnerships. People who felt that their partners were overly dependent on their devices said they were less satisfied in their relationship.”

I think my aversion to cellphones is that I'm afraid of becoming like the people I see daily: heads down, consumed by the screen, unaware of what’s going on around them. Who hasn’t witnessed people at restaurants busily texting, ignoring one another? Or the mother, face in her phone, instead of talking with her children? Or, geez, those who feel the need to communicate from a bathroom stall?

I can’t help but wonder what is so urgent.

"Ms. Montgomery, how can you not have a cellphone?” my students often admonish.

“I’m not that important,” I say.

“What if there’s an emergency?”

“Call 911.”

“What if a family member is sick?”

“I'm not a doctor.”

My biggest concern is that it’s getting more difficult to live without a cellphone. It’s almost as if there’s a secret conspiracy to require everyone to get on board. A few weeks ago, I discovered I can no longer go to NFL games. All tickets work only through your phone. No more paper copies will be accepted. The league is determined to get 100% of fans to use their smartphones at the gate.

I sense this line of thinking will creep into use at movies and concerts and grocery stores and restaurants, so, eventually, I will be on the outside of society looking in.

I know what you’re thinking. “Geez! Get a friggin’ phone and join the 21st century.”

I know my time is coming. Still, I wish I wasn’t being forced to join the crowd.

What’s peculiar is that when I tell people I don’t own a cellphone, there is always a beat of silence as they examine me for obvious flaws. Then, oddly, many say wistfully, “I wish I didn’t have one either.”

Think about that.

Now, turn off your phones. Breathe. Watch a sunset. Walk your dog. Have a real conversation. There’s a world out there you can smell and touch and people with whom you can make eye contact.

Try it. You might be surprised.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

My Love Affair with ... Spiders

from Anne Montgomery

This little guy lives by my dog's water bowl. 

We're all good with that.

I faced the webs on my porch. You see, when it's fall in the desert, it's time to clean our yards and outside living areas. To those who've grown up understanding the concept of spring cleaning, note that we perform that chore in the fall. It makes sense, since we spend the summers cooped up with our air conditioning - hiding from blast-furnace temperatures - and the winters basking blissfully outdoors.

I gently moved the broom across the ceiling and into the corners, careful not to harm any of the arachnids who've made camp by my door. I admonish the tiny ones to run, since I don't want to injure them.

And, now, you might think me strange, because I could never hurt a spider. Why this is the case, I'm not quite sure. Perhaps it was growing up with Charlotte's Web. Or maybe it was watching my parents deposit spiders who had found their way inside outside, instead of crushing them into little blobs of spidery goo.

I never thought this behavior odd, until faced with folks who felt differently. There was the tough US Marine who hailed from Trinidad who was my housemate for a while. I had explained about Mathilda, the black widow who resided in a low corner of the kitchen who only came out at night.

"Just don't walk barefoot by the sink after dark," I explained.

Then, one day I heard him howling in the kitchen. "You need to come in here! Now!"

I complied and was delighted by gossamer silk threads floating in the air, each speckled with dozens of tiny golden babies holding on like wee surfers. I grabbed some newspapers and corralled the infants and released them outside.

The big brave Marine recoiled.

Then there was the evening stroll in the Costa Rican rain forest. My sweetie pie and I joined a small group searching for night creatures with a woman entomologist.

"Oh! Look at what we have here!" She reached into the leaf litter and produced a large long-legged spider. Eyes wide, she grinned like a grandma with a newborn babe. "These are the ones they use in horror movies. Who would like to hold it?"

No one moved. She frowned, disappointed in our little group, so I stepped up and held out my hand. Her eyes sparkled, one of those perhaps-she's-not-quite-sane looks that made me reconsider our decision to follow her into the jungle in the dark. She placed the beast in my palm.

"So cute. Just like a kitten," she cooed.

OK, I admit I had a sudden urge to flee, an impulse that had nothing to do with the spider. In fact, the little guy was rather sweet. I silently said goodbye as he scampered off into the undergrowth.

Then there was the football spider and that rascal cemented my love affair with spiders.

Late in the first half of a high school game, Phil, my line judge, ran toward me, blowing his whistle, and waving his arms overhead, killing the clock.

“Tarantula!” He stared wide-eyed and pointed downfield.

My first thought was that the home team had a spider mascot, but that idea was quickly dispelled when I saw a fuzzy creature moving in a strangely robotic motion near the 20-yard-line.

The barrel-chested coach, who'd been on me the whole game, grinned and crossed thick arms. “What are you going to do about it?” he yelled.




As we crouched over the beast, I envisioned some hapless kid with a fist-size spider wriggling from his facemask. I bit my lip and glanced at the players who eyed me from midfield.

Phil and I stared at one another. He raised both palms up.

“What are we going to do?” I asked.

“What are you going to do?” he mimicked the coach.

I took a deep breath and watched the hairy beast inch forward, moving all eight legs in a silent ballet. Did I hear the coach laughing?

I shot my arm into the tarantula’s path. And, without pause, the spider crawled onto the back of my hand and up my wrist, fuzzy feet tickling my skin.

Phil stood and backed away.

“Please don’t bite me,” I silently pleaded over and over, as visions of old horror movies played in my head. While the tarantula traveled up my arm, I walked slowly toward the end of the field. When I reached the outer edge of the track, I bent over and gently dropped the creature near a patch of rocky desert. The tarantula landed upright and marched on.

I swallowed several times, then turned and ran back up field past the coach. I herded the players to the line of scrimmage and took my position behind the quarterback. I blew my whistle, putting the ball into play.

But no one moved.

Then Phil’s whistle sounded and he signaled time-out. He doubled over and I thought he might be ill, but then I saw he was laughing.

“What?” I stared as he ran toward me.

Phil leaned in, then looked around to make sure no players were nearby. "The coach said, 'She has a pair hangin' and they ain’t tits.'”

I eyed the coach. He nodded toward me, deferential, all remnants of his previously condescending attitude having disappeared with the spider.

For the rest of the game, no matter the situation – whether a flag went for or against his team, whether he agreed or disagreed with a ruling – the coach only addressed me with two words.

“Yes, ma’am,” was all he said.

Perhaps now you can understand my love affair with spiders.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

MY DARK PET PAST

from Anne Montgomery

I have, over the course of my life, been the caretaker of myriad cats and dogs and birds and fish. I know I’ve been a good pet mom to my animal friends, tending to their needs and holding the four-legged ones tight when, old and infirm, we made that last trek to the vet.

While I have done well by my animal friends, who almost universally came from streets and shelters, I do have a dark past involving some beasts, the memories of which continue to haunt me.

When I was maybe five, I found a tiny, featherless bird, who, despite what appeared to be a broken neck, chirped piteously. I held the fledgling up to my mother, who blinked dispassionately behind black cat-eye glasses.

“Maybe he’s thirsty,” I said.

“I’ll get some water.”


“No, he’s a baby. He needs milk.”

“Birds don’t drink milk.”

“Milk!” I insisted.

So my mother gave the baby bird milk … and it died.

When I was older, I discovered a crow fluttering in the grass in my back yard. I placed the bird on the patio table and decided he might be hungry. I considered what might be tasty to a crow and determined that corn was the answer. Finding none in the refrigerator, I checked the freezer and was delighted to see a package of Green Giant Frozen Nibblets. I rushed to the patio and sure enough, my crow gobbled up that icy treat. A few minutes later, he toppled over … dead.

Then there were the fishes. Shortly after my mother allowed me to plant a rock garden behind the house, my dad and I formed a tiny concrete pond, not much more than a foot wide. I joyfully filled that small depression with water, but quickly sensed something was missing. So, I grabbed an empty Skippy Peanut Butter jar, called my collie dog Betsy, and headed to the brook to do some fishing. Later, I dumped those tiny fish into my pond, quite sure they would be happy with their new living arrangements. The next morning, eager to visit my fishy friends, I rushed to my pond to discover it … empty! I did some pondering on the mystery and determined that the fish had disappeared with the water though some minuscule crack and were now traversing an underwater stream that would lead them back to the brook.

Really.

In a similar fashion, I gathered unfortunate salamanders from under rocks in the woods and plopped them into the terrarium, which I made myself. I gathered soft, green moss, which I was sure the lizards would appreciate, and uprooted other woodland flora to decorate their home. I artfully placed bits of wood and rocks in the tank, along with a jar lid filled with water, so they might get a drink or go for a swim, should they feel the urge. What I never once considered was food. I think I believed my salamanders – some black, some red sporting a dark stripe – would discover reptile sustenance in the dirt somewhere. In any case, the fact that someone, I’m guessing my older brother, “accidentally” dislodged the glass tank top, proved to be a boon for those beasts, because they escaped, heading, no doubt, for the lizard version of McDonalds, never to be seen again.

I did enjoy my lizard friends, still, in retrospect, they were lucky they managed to escape.

The good news is that, once I got a bit older, I learned how to better care for the creatures that counted on me for their survival. We kids were required to feed and provide water for our dog and cat every night before dinner. One evening, when we had collectively forgotten to nourish our furry friends, my father admonished us.

“They can’t feed themselves!” he said, clearly disappointed by our neglect. “It’s your job to take care of them. They count on you.”

I stared at my dog, a look she returned with unabashed adoration, and felt ashamed. From that day forward, my pets have eaten before me. And I have made it my goal to treat all animal friends with kindness and compassion, with perhaps one well-intentioned exception.

The giant goldfish belonged to my two young nieces.

“What’ll we do?” My sister-in-law said, wrinkling her nose at the chubby, orange creature that swam in wobbly circles.

“We will…um…I don’t know.”

She stared at me. “The girls can’t see him like this.”

I considered the alternatives. Finally, I spread my hands wide. “Put it in a plastic bag and freeze it?”

I won’t say any more about that, except that it seemed kinder and less messy than the hammer option or any of the other routes we contemplated. Surely, you can see that my intention was one of benevolence.

I hope.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

HOW FRIENDS BECOME CHARACTERS

by Anne Montgomery

Authors are often asked how they create characters. In my case, as my friends and family now realize, they are sometimes inspired by people I know.

My long-time sweetie pie seemed shocked when he read his words coming out of a character’s mouth.

“Hey! I said that!”

“Yes, you did.” I admitted. “Thank you.”

As a former reporter, I tend to think everyone’s words are fair game. If you’re going to fling them out into the universe, don’t be upset if I catch them and keep them for my own.

At other times, I’ve incorporated friends’ stories into my characters. In my upcoming book, A Light in the Desert, which is scheduled for release on November 6, 2018, I borrowed numerous times from the life of my dear late friend Don Clarkson. I have written before about how Don and I met umpiring amateur baseball, a time during which I struggled with debt, a crumbling marriage, and joblessness following what would be the end of my TV-reporting career. That I spent a great deal of time feeling sorry for myself is an understatement.

Don, on the other hand, complained very little. This was astonishing in retrospect, considering the suffering he endured. Don was a decorated Green Beret, a sergeant who served alongside South Vietnam’s ARVN soldiers in the 9th Infantry during the war. His time in country was brutal and, like many servicemen and women, Don relived those experiences until he died at the age of 61 from a combination of Post Traumatic Stress and the myriad devastating effects of Agent Orange poisoning.

Don and I umpired baseball together for five years. During that time, he shared his stories with me. He was gravely wounded and left to die, but was saved by a South Vietnamese soldier who returned to the aftermath of a jungle fight to look for him. He was sometimes crushed by guilt, because of war-time life-and-death decisions and because – unlike many of the men he knew – he had managed to survive and come home. Tears would well in his eyes as he spoke about the soldiers – his brothers – that were lost.

And still, when we would sit in our folding chairs in a school parking lot, waiting for the second half of a double-header to begin, he sometimes spoke about the beauty of Vietnam and his love and admiration for the people who lived there.

One of the main characters in A Light in the Desert, is, like Don, a Vietnam veteran with memories that torment him. But Jason Ramm is also a sniper turned post-war governmental assassin, which Don was not. What they share is a deep desire for peace and forgiveness, which neither of them believe they deserve.

I wrote A Light in the Desert for Don. His wife Marie read the story to him before he died. I believe he understood Jason Ramm and recognized him as a brother. I also know that Don seemed appreciative that I shared some of his story and that I dedicated the book to him.

I miss my friend and the talks we used to have. Though he struggled mightily, Don always looked for the best in people and for beauty in the world.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers. And then the girl vanishes. As the sniper struggles to maintain his sanity, a child is about to be born in the wilderness.

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil. As the search for the saboteurs heats up, the authorities uncover more questions than answers.

And then the girl vanishes.

While the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

EYEBROW ENVY

by Anne Montgomery

Film siren Elizabeth Taylor had the art of the eyebrow down pat.

When I was a teen, I had rather thick eyebrows. While beauties like Elizabeth Taylor rocked alluring broad brows, the trend was starting to fade by the 70’s, so I would suffer some brow cruelty, initially afflicted upon me by a well-coiffed woman wielding a pair of weaponized tweezers.

When I was 17, I was awarded a scholarship to the John Robert Powers Modeling School, an unwanted prize my mother hoped would make me more feminine. Note that she truly wanted a girly-girl, one who would take delight in being swathed in dresses and heels. Clearly, since I favored jeans and sweatshirts and tended to clomp around like a Clydesdale on those rare occasions I was forced into pumps, I wasn’t fulfilling that dream.

The only thing I remember about my stint at modeling school was that I hated it. All these years later, I have virtually no recollection of what I did while attending those classes, the memories a black hole save for one miserable moment.

A poised, splendidly-attired woman strode to the front of the room, gliding on pointed heels, chin up, eyes wide. “Today’s lesson will be on the importance of properly maintaining one’s eyebrows,” she said prettily.

I recall being bored, longing to be outside somewhere, as she held up those silver tweezers. Then, she pointed one manicured hand my way and waved me to the front of the room. She smiled, an expression that, in hindsight, bore a sadistic hint. After ushering me to a chair, she disparaged my brows, explaining that such wanton neglect was unacceptable.

I froze as she brought the tweezers close to my right eye, and winced as she plucked. Throughout her lesson, she continued to yank at my offending brow as if to place emphasis on her syrupy words.

Looking back, I can’t reckon why I allowed her to persist. I also can’t figure why she picked me. It’s not like I had something Fridaesque sprawled across my forehead or a set of brows like Mr. Spock.

While it was perfectly acceptable for an alien from Vulcan to sport such expressive brows, for a 17-year-old girl in the ’70s, not so much.

When she finished, she motioned to my sore, red brow, assured the students that the tinge would soon fade, then placed the tweezers in my hand and instructed me to pluck the other brow myself. While I was relieved the assault had stopped, the thought of using the tool on myself made me queasy. Because memories mercifully fade, I don’t recall how I ultimately handled those mismatched brows.

Years later, while working at WROC-TV in Rochester, New York, my beleaguered brows took another hit. Since the newscast was in progress, I was the only one in the newsroom when the phone rang. The woman caller wanted to know if I would get a message to that woman sportscaster. Without revealing my identity, I assured her I would.


“Tell her that I hate her eyebrows,” she said.

What propelled a viewer to take the time to make such a call, I cannot say. What I recall was hustling to the make-up mirror and staring at my eyebrows for a very long time.

I have learned that, as we age, our eyebrows naturally thin. Strangely, I am a bit wistful at what I’ve lost, especially considering that the tide has again turned. I read that fashion folks say we are currently in the decade of the eyebrow. YouTube has half-a-million tutorials on how to perfect your brows, and there are brow tattooing and transplants and tinting and threading, for those who suffer eyebrow envy.

I wonder if such procedures are painful, and then think of the woman with the tweezers and the brow beating she inflicted. I don’t think I’ve forgiven her, yet. Can you blame me?

Here's a little from my suspense novel based on a true incident. I hope it intrigues you.

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.

When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil as local and state police, FBI investigators, and a horde of reporters arrive on the scene. As the search for the saboteurs heats up and the authorities question members of the cult, they uncover more questions than answers.

And then the girl vanishes.

As the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY LINKS

Amazon Paperback - Kindle - Midpoint Books

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

A Light in the Desert, a MUST Read

Releasing November 6, 2018 from Treehouse Publishing Group is acclaimed journalist Anne Montgomery's latest psychological mystery/suspense novel based around one of the most enduring cold case crimes in Arizona  history. Montgomery did in-depth research into the deadly 1995 cold-case derailment of an Amtrak train in the wilds of the Arizona desert before she penned this amazing story.

Set in Hyder, Arizona, Montgomery’s novel details the crumbling world of Jason Ramm, a broken former Special Forces sniper, whose crimes assault his conscience and an isolated child, Kelly, the lonely pregnant teen who in the guise of love, falls victim to abuse. Is Ramm her savior or something more insidious? Montgomery suffuses the tale with heartbreaking melancholy, both from the point of view of a rejected child who understands little of the outside world and the assassin who’s descending into the grips of an odd mental illness, the Jerusalem Syndrome, that threatens to replace who he is with something else.

Montgomery, a foster mom to three sons, works in Arizona as a football referee and high school teacher at a Title I school where many of her students live in poverty, some are abused, and others are relegated to foster care. On why she wrote the book, Montgomery says, “I have seen the suffering of neglected and abused children first-hand. Often, their voices go unheard. I believe child abuse needs to be a topic we address with ardent regularity, loudly and often, so that someday, perhaps, this cruelty can be relegated to the past.”

This novel is one you must read!

As a Vietnam veteran and former Special Forces sniper descends into the throes of mental illness, he latches onto a lonely pregnant teenager and a group of Pentecostal zealots – the Children of Light – who have been waiting over thirty years in the Arizona desert for Armageddon.
When the Amtrak Sunset Limited, a passenger train en route to Los Angeles, is derailed in their midst in a deadly act of sabotage, their lives are thrown into turmoil as local and state police, FBI investigators, and a horde of reporters arrive on the scene. As the search for the saboteurs heats up and the authorities question members of the cult, they uncover more questions than answers.
And then the girl vanishes. As the sniper struggles to maintain his sanity, a child is about to be born deep in the wilderness.

BUY NOW from MIDPOINT BOOKS in Paperback or E-book.

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.
Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.