by Paul Stansfield
Like many authors, I sometimes have problems coming up with titles for my stories. Often I complete the tale first, then give it a title. It’s a tricky thing—you don’t want to use a name that’s too obvious, or too boring, or too obscure, or too pretentious. It can be a fine line sometimes. For my previous ebook Dead Reckoning, I made another mistake—I chose an extremely common title. A check on Amazon reveals dozens of other books by this name. For latest release, I chose a much rarer name—I couldn’t find any other books called Kaishaku, at least in English. Kaishaku is the historic Japanese practice of a friend mercy-killing another friend who’s committing ritual suicide, or seppuku.
Because of all this, today I’d like to post about titles.
Original Titles of Famous Books:
It’s weird to see these, as we’re so used to the eventual titles, but it’s a reminder that even great, successful books went through some revisions. In most case I think changing the title was the right choice. Thanks in particular to The New Book of Lists, (2005) by David Wallechinsky and Amy Wallace for this info.
1) All’s Well That Ends Well better known as War and Peace (1866) by Leo Tolstoy.
2) Among Ash Heaps and Millionaires and Trimalchio in West Egg became The Great Gatsby (1925) F. Scott Fitzgerald.
3) Twilight became The Sound and the Fury (1929) William Faulkner. (Insert your own sparkly vampire joke here.)
4) Jettison, Tote the Weary Load, and Mules in Horse Houses became Gone With the Wind (1936) Margaret Mitchell.
5) Something That Happened was changed to Of Mice and Men (1937) John Steinbeck.
6) Before This Anger eventually was renamed, Roots (1972) Alex Haley.
7) First Impressions became Pride and Prejudice (1813) Jane Austen.
8) The Tree and the Blossom was changed to Peyton Place (1956) Grace Metalious.
An Amusingly Bitter Author’s Quote About Titles:
“A writer who does cherish his title would probably do well to hold it in reserve and not present it until two or three others, all duds, have been duly rejected, leaving the editor with his editorial honor intact.” Charles Portis.
You can’t copyright a single title. The very rare exception to this is if it can be shown that an author is intentionally tricking the public into buying a book under false pretenses (i.e., another famous book). You can, however, trademark a series of books, and this is recommended. So give up your plans to put out your own Chicken Soup for the Soul or (Blank) for Dummies opus.
Longest Book Titles:
1) 670 words, or 3999 characters with spaces, for Nigel Tomm’s Selected Works of Nigel Tomm…. (2007). Kind of a cheat, since this was obviously contrived. Mr. Tomm also had a novel consisting of one 400,000 plus word sentence, so he has a pattern. Even Fiona Apple thinks this title is a little much.
Titles Taken from Other Literature:
Some authors actually use passages from other books for their titles, which I guess is considered homage (if folks like the book) or a shameless rip-off (if they don’t).
1) Absalom, Absalom (1936) by William Faulkner, was taken from the Bible, 2 Samuel 19:4.
2) The Waste Land (1922) by T.S. Eliot, was taken from Jessie L. Weston’s From Ritual to Romance (1920).
3) A Confederacy of Dunces (1980) John Kennedy Toole, was taken from Jonathan Swift’s Thoughts on Various Subjects, Moral and Diverting (1706).
4) East of Eden (1952) by John Steinbeck, was also from the Bible, Genesis 4:16.
5) I Know Why the Caged Bird Sings (1969) by Maya Angelou, was taken from Paul Laurence Dunbar’s poem, Sympathy (Couldn’t determine exact publication date, but between 1895-1905).
6) Remembrance of Things Past (Put out in seven parts, between 1913-27) by Marcel Proust, was taken from William Shakespeare’s Sonnet 30 (1609). (This was the title given to the English translation—the French title was (translated again) In Search of Lost Time.)
Funny and/or Strange Book Titles:
Incredibly, these titles are all real. Some of them are intentionally humorous, but quite a few aren’t. The British magazine, “Bookseller” has given out the Diagram Prize annually since 1978 to the strangest book titles. Many of these were past winners.
1) Proceedings of the Second International Workshop on Nude Mice. Authors not listed, but published in 1978 by the University of Tokyo Press. Not a bestiality treatise, but a medical study on mice with inhibited immune systems.
2) Oral Sadism and the Vegetarian Personality (1987) edited by Glen C. Ellenbogen. Intentionally funny, it’s a book of humor/parody for psychiatrists.
3) The Book of Marmalade: Its Antecedents, Its History, and Its Role in the World Today (1986) by C. Anne Wilson. This is a sincere, nonfiction book. And here I was just spreading it on my breakfast toast, not considering its precursors, evolution, and how it shapes our politics.
4) Bombproof Your Horse (most recent edition, 2004) by Rick Pelicano and Lauren Tjaden. Finally an end to those constant barn explosions! (The title is misleading, it’s about calming your horse down, and is well respected.)
5) How to Make Love While Conscious (1993) by Guy Kettelhack. Wait, you can do that while you’re awake? Who knew! (Really it’s quite serious, it’s geared toward recovering alcoholics, and how to have sex while sober.)
6) How to be Pope: What to Do and Where to Go Once You’re in the Vatican (2005) by Piers Marchant. I’m no marketing expert, but I have to figure that even if this book is awesome, there’s still a limited market for it.
7) Curbside Consultation of the Colon (2008) edited by Brookes D. Cash. Call me a prude, but I think this should be done in a doctor’s office. (It’s a serious reference book.)
8) Father Christmas Needs a Wee (2011) by Nicholas Allen. Great Yuletide gift for the child who loved “Everyone Poops.”
9) C is for Chafing (2011) by Mark Remy. I’ll bet Sue Grafton is pissed. (It’s a running book for kids and parents.)
10) Giraffes? Giraffes! (2004) by Dr. and Mrs. Doris Haggis-on-Whey. Love this one. The title asks a (ridiculous) question, then answers it. Plus the authors might have my favorite name ever. I’m tempted to go to…Scotland, presumably, and get adopted by them so I can be Paul Haggis-on-Whey.
11) Do Dead People Watch You Shower?: Questions for Mediums (2007) Concetta Bertoldi. If the answer is “yes,” I don’t know whether to be terrified or really turned on. Or both.
That’s it for now. Also, I should probably mention that I intentionally left off subtitles and didn’t reveal some books’ actual topics for comedic reasons.
Be sure to come back next week when I'll have more about titles for you to enjoy.
Paul Stansfield
Learn more about Paul Stansfield on his entertaining blog.
This time, the zombies aren’t the bad guys.
Kurt Minnifield is a fledgling actor playing a zombie in a low budget horror movie. The director and crew decide to move their shooting to lovely and isolated Watkins State Park...only they don't get proper permission.
Victor Newsome is a thirteen year old trying to both shed his nerdy image and learn outdoor skills at a special survival camp. After teaching the boys how to make shelter and kill their own food, the counselors decide to take a day trip to the neighboring state park--Watkins.
A series of ethical lapses, poor decisions, and bad luck lead to a colossal misunderstanding. Violence erupts as both sides fight desperately against a dangerous set of foes. Who will be more savage--the literal "monsters," or the boys equipped with deadly weapons, and the knowledge of how to use them?
To read an excerpt from Dead Reckoning, please click HERE.
I'll be back Wednesday with a new menu. Until then...
Happy Reading!
Sloane Taylor
Showing posts with label Dead Reckoning. Show all posts
Showing posts with label Dead Reckoning. Show all posts
Monday, September 17, 2012
Monday, April 02, 2012
Into Mystery or Suspense? How About Zombies?
If so, then DEAD RECKONING, the debut novel by Paul Stansfield, is the book for you.
For those readers not familiar with Paul and his work, he was born and raised in New Jersey, and graduated from Rutgers University. He works as a field archaeologist. When Paul’s not excavating prehistoric sites or exhuming graves, he enjoys writing, mostly in the horror/thriller/suspense genres.
The future is bright for this talented author. Paul’s had short stories published by Bibliophilos, Mausoleum, Mobius, Ragshock, Morbid Curiosity, Generation X National Journal, Cthulhu Sex Magazine, Aoife’s Kiss, and Conceit.
DEAD RECKONING
Paul Stansfield
ISBN: 978-1-61937-244-3
Musa Publishing
BUY LINK
BLURB:
This time, the zombies aren’t the bad guys.
Kurt Minnifield is a fledgling actor playing a zombie in a low budget horror movie. The director and crew decide to move their shooting to lovely and isolated Watkins State Park...only they don't get proper permission.
Victor Newsome is a thirteen year old trying to both shed his nerdy image and learn outdoor skills at a special survival camp. After teaching the boys how to make shelter and kill their own food, the counselors decide to take a day trip to the neighboring state park--Watkins.
A series of ethical lapses, poor decisions, and bad luck lead to a colossal misunderstanding. Violence erupts as both sides fight desperately against a dangerous set of foes. Who will be more savage--the literal "monsters," or the boys equipped with deadly weapons, and the knowledge of how to use them?
EXCERPT:
Kurt struggled to catch up as the unknown actor continued to track the other zombies. Now he saw that the other actors must have seen or heard the guy—they’d turned around and were advancing on him. The guy wasn’t anyone he recognized, either, this was definitely somebody new. So what happens now? No one had any special effects gear, so unless this man ran away the unscripted shooting was over.
The actor wasn’t fleeing. He raised his gun and aimed it at the zombie in front, Will. His hand shook for a second, and then he fired.
The crack of the shot was loud, and Kurt nearly fell over in shock. That was no blank! That sounded real! What the fuck? Blood was running from a hole in Will’s chest. Kurt gasped. Will had been the last zombie to be made up before Kurt—he was positive that T.J. hadn’t put any squibs on him.
Will had stopped, and his zombie claws went to the wound, and he stared at the hole wonderingly. The zombies nearest him—Tabby, Henry, and Ed, all dropped their arms down and were staring at Will too, and then back at the mystery man with astonished expressions on their faces.
The guy hesitated, and then raised his gun a little, and fired again. There was a second boom, and then Will’s eye broke up, followed almost immediately by the back of his head. Blood, and pieces of whitish skull and grayish brains splattered out, onto the forest floor. Will fell on his side with a strange gurgling sound.
Holy Shit! thought Kurt. That was no squib either. This was real! This guy is psycho! He watched as Tabby took off, into the bushes to the side of the clearing. Henry and Ed crouched by Will’s body, and struggled to communicate with the alien assassin. They waved their arms wildly, trying to signal “Stop” with their palms held up. Their grunting was noticeably louder, but still inarticulate.
The armed man paused a moment more, and then aimed once again. The two zombies tried to duck behind Will’s slumped corpse. Two shots whined past, and then a third hit Henry in the shoulder. Just then he whirled in Kurt’s direction and fired again, just as Kurt threw up his hands. As soon as the gunman turned, Ed and Henry were in the bushes right behind Tabby.
Fire rushed through Kurt’s left hand, just above the wrist. He groaned as he saw blood, and tendons, and even bone through the hole in his mangled hand. He dove to the ground, just as another bullet hit a tree right where his head had been. And then he was gone, tearing through the bushes and trees almost without looking.
The man trotted up to Will’s body, and kicked at it curiously. He looked briefly at the spot where the hand-shot zombie had disappeared, and then he turned back and went after the first three zombies.
BUY LINK
Learn more about the interesting life of Paul Stansfield on his blog.
I’ll be back Wednesday with a new Easter menu. Until then…
Happy Reading!
Sloane Taylor
Sweet as Honey...Hotter than Hell
For those readers not familiar with Paul and his work, he was born and raised in New Jersey, and graduated from Rutgers University. He works as a field archaeologist. When Paul’s not excavating prehistoric sites or exhuming graves, he enjoys writing, mostly in the horror/thriller/suspense genres.
The future is bright for this talented author. Paul’s had short stories published by Bibliophilos, Mausoleum, Mobius, Ragshock, Morbid Curiosity, Generation X National Journal, Cthulhu Sex Magazine, Aoife’s Kiss, and Conceit.
DEAD RECKONING
Paul Stansfield
ISBN: 978-1-61937-244-3
Musa Publishing
BUY LINK
BLURB:
This time, the zombies aren’t the bad guys.
Kurt Minnifield is a fledgling actor playing a zombie in a low budget horror movie. The director and crew decide to move their shooting to lovely and isolated Watkins State Park...only they don't get proper permission.
Victor Newsome is a thirteen year old trying to both shed his nerdy image and learn outdoor skills at a special survival camp. After teaching the boys how to make shelter and kill their own food, the counselors decide to take a day trip to the neighboring state park--Watkins.
A series of ethical lapses, poor decisions, and bad luck lead to a colossal misunderstanding. Violence erupts as both sides fight desperately against a dangerous set of foes. Who will be more savage--the literal "monsters," or the boys equipped with deadly weapons, and the knowledge of how to use them?
EXCERPT:
Kurt struggled to catch up as the unknown actor continued to track the other zombies. Now he saw that the other actors must have seen or heard the guy—they’d turned around and were advancing on him. The guy wasn’t anyone he recognized, either, this was definitely somebody new. So what happens now? No one had any special effects gear, so unless this man ran away the unscripted shooting was over.
The actor wasn’t fleeing. He raised his gun and aimed it at the zombie in front, Will. His hand shook for a second, and then he fired.
The crack of the shot was loud, and Kurt nearly fell over in shock. That was no blank! That sounded real! What the fuck? Blood was running from a hole in Will’s chest. Kurt gasped. Will had been the last zombie to be made up before Kurt—he was positive that T.J. hadn’t put any squibs on him.
Will had stopped, and his zombie claws went to the wound, and he stared at the hole wonderingly. The zombies nearest him—Tabby, Henry, and Ed, all dropped their arms down and were staring at Will too, and then back at the mystery man with astonished expressions on their faces.
The guy hesitated, and then raised his gun a little, and fired again. There was a second boom, and then Will’s eye broke up, followed almost immediately by the back of his head. Blood, and pieces of whitish skull and grayish brains splattered out, onto the forest floor. Will fell on his side with a strange gurgling sound.
Holy Shit! thought Kurt. That was no squib either. This was real! This guy is psycho! He watched as Tabby took off, into the bushes to the side of the clearing. Henry and Ed crouched by Will’s body, and struggled to communicate with the alien assassin. They waved their arms wildly, trying to signal “Stop” with their palms held up. Their grunting was noticeably louder, but still inarticulate.
The armed man paused a moment more, and then aimed once again. The two zombies tried to duck behind Will’s slumped corpse. Two shots whined past, and then a third hit Henry in the shoulder. Just then he whirled in Kurt’s direction and fired again, just as Kurt threw up his hands. As soon as the gunman turned, Ed and Henry were in the bushes right behind Tabby.
Fire rushed through Kurt’s left hand, just above the wrist. He groaned as he saw blood, and tendons, and even bone through the hole in his mangled hand. He dove to the ground, just as another bullet hit a tree right where his head had been. And then he was gone, tearing through the bushes and trees almost without looking.
The man trotted up to Will’s body, and kicked at it curiously. He looked briefly at the spot where the hand-shot zombie had disappeared, and then he turned back and went after the first three zombies.
BUY LINK
Learn more about the interesting life of Paul Stansfield on his blog.
I’ll be back Wednesday with a new Easter menu. Until then…
Happy Reading!
Sloane Taylor
Sweet as Honey...Hotter than Hell
Friday, March 30, 2012
So You Want To Be An Author Part Two
You’ve written your characterization and now you’re good to go. Wrong!
Time to consider the back-story. What’s back-story? It’s the life chronicle of your characters. All of your characters. Every person in your novel has a past which is why you wrote characterizations. They think, feel, and act based on their history just as we do.
If you don’t have critique partners, get some. Not your mom or best friend. They truly can’t be objective. Hook up with writer’s groups, workmates willing to share their opinions, or friend who love to read. Empower them to be honest. You’ll be glad you did.
My CPs are always willing to read a member’s work and constructively correct the flaws at any time. They’re also brutal about sloughing off. Back when I was green and dumb, Beth Anderson took me under her wing. She sent me an insightful e-mail after reading my first chapter.
“A suggestion is to perhaps cut the back-story a little. I’d like to see your heroine’s issues be a mystery to me as a reader. After reading the first chapter there’s no mystery. I understand her, I understand her issues, and I know her history. Let her be more of a mystery, don’t tell me everything, let it come out in dribs and drabs.” Beth’s words made me think.
At our next meeting I broached the subject. Melissa Bradley, an author and friend who speaks her mind, said it was “too much, waaaay to soon”. Of course, the others agreed. These buds made me think even more and to these authors I am forever grateful.
This is what I finally learned;
If little Johnny peed his pants in third grade and the teacher shamed him in front of his class, readers don’t care. It’s only important as a brief mention or a thought timely planted in the story. Johnny knows what he did and the reader only wants an indication if it brings out some deep dark secret which leads him to act as he does in your book.
This is what I finally figured out to correct my problem;
1 - List all the high points from your characterization. (Don’t panic; remember on Thursday we’ll discuss characterization.) Skip the height, weight, etc. You only want the important events, ie;
a. Johnny peed his pants
b. He feels shame whenever he wears brown
c. He won’t talk in front of groups
d. He has a fear of public bathrooms
Get the idea?
2 – Write your story and drop in a line of back-story here and there but only where it’s appropriate.
3 – Cross out the line from your list after you use it and note in the margin which page it’s on.
This method taught me to sprinkle in the back-story for the proper effect and not put the reader in a coma.
There will be pages in your book with plenty of back-story, but if the timing’s right it’s perfect.
Have a wonderful weekend. I’ll be back Monday with Paul Stansfield and his exciting suspense book DEAD RECKONING. Until then…
Happy Writing!
Sloane Taylor
www.facebook.com/AuthorSloaneTaylor
Time to consider the back-story. What’s back-story? It’s the life chronicle of your characters. All of your characters. Every person in your novel has a past which is why you wrote characterizations. They think, feel, and act based on their history just as we do.
If you don’t have critique partners, get some. Not your mom or best friend. They truly can’t be objective. Hook up with writer’s groups, workmates willing to share their opinions, or friend who love to read. Empower them to be honest. You’ll be glad you did.
My CPs are always willing to read a member’s work and constructively correct the flaws at any time. They’re also brutal about sloughing off. Back when I was green and dumb, Beth Anderson took me under her wing. She sent me an insightful e-mail after reading my first chapter.
“A suggestion is to perhaps cut the back-story a little. I’d like to see your heroine’s issues be a mystery to me as a reader. After reading the first chapter there’s no mystery. I understand her, I understand her issues, and I know her history. Let her be more of a mystery, don’t tell me everything, let it come out in dribs and drabs.” Beth’s words made me think.
At our next meeting I broached the subject. Melissa Bradley, an author and friend who speaks her mind, said it was “too much, waaaay to soon”. Of course, the others agreed. These buds made me think even more and to these authors I am forever grateful.
This is what I finally learned;
If little Johnny peed his pants in third grade and the teacher shamed him in front of his class, readers don’t care. It’s only important as a brief mention or a thought timely planted in the story. Johnny knows what he did and the reader only wants an indication if it brings out some deep dark secret which leads him to act as he does in your book.
This is what I finally figured out to correct my problem;
1 - List all the high points from your characterization. (Don’t panic; remember on Thursday we’ll discuss characterization.) Skip the height, weight, etc. You only want the important events, ie;
a. Johnny peed his pants
b. He feels shame whenever he wears brown
c. He won’t talk in front of groups
d. He has a fear of public bathrooms
Get the idea?
2 – Write your story and drop in a line of back-story here and there but only where it’s appropriate.
3 – Cross out the line from your list after you use it and note in the margin which page it’s on.
This method taught me to sprinkle in the back-story for the proper effect and not put the reader in a coma.
There will be pages in your book with plenty of back-story, but if the timing’s right it’s perfect.
Have a wonderful weekend. I’ll be back Monday with Paul Stansfield and his exciting suspense book DEAD RECKONING. Until then…
Happy Writing!
Sloane Taylor
www.facebook.com/AuthorSloaneTaylor
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