Monday with Dorien Grey

I'm pleased to bring you Calico, another outstanding Dorien Grey novel. Calico is a western/adventure/mystery/romance with a twist, and a strong YA appeal.

CALICO
Dorien Grey
ISBN
Print 978-1-934135-33-4
Electronic 1-934135-33-X
Zumaya Publications

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Death, danger — and unexpected love.

BLURB:
Cowboy Calico Ramsay finds himself responsible for safely escorting Josh and Sarah, a pair of city-raised twins, through the many dangers of the 1880s' wild west. Along the way he must keep himself and his charges ahead of four mysterious men who are out to kill them for reasons he cannot imagine. And through it all, he must deal with the growing and mutual attraction to young Josh.

EXCERPT:
They set up camp in a small clearing between the town and the wagon train. After unsaddling the horses, Calico set up the campfire after urging Josh and Sarah to wander down to the train in search of young people their own age. Josh made it clear that he would just have soon have remained with Calico at the campsite. But Calico was well aware that, other than for himself, the twins had had no other company since leaving Hutchinson. Perhaps, he told himself, much of what he perceived to be going on between himself and Josh was largely his own imagination responding to Josh's natural need for male companionship.

Josh returned alone shortly before sunset.

"Where's Sarah?" Calico asked.

"She's at the wagon train, with one of the families," Josh replied. "They've got a son just a little older than us."

"What about girls?" Calico asked. "Wasn't there any girls there your age?"

"None that I saw, except one, and she was married and had a baby. But, then, I wasn't looking for girls," Josh said dismissively. Looking for a reaction from Calico and receiving none, Josh unkered down beside Calico at the fire. "Sarah wants to know if it’s okay if she stays to supper with that farmer and his folks."

Calico shrugged. "Sure, it's okay with me. Didn't they ask you to stay, too?"

Josh stared into the fire, picking up a stick to push a few unburned pieces of wood into the flames. "Yeah," he said without looking up, "but I said I had to get back. I'd rather be here with you.

Calico remained silent a moment, filled once again with the sense of a developing relationship in some ways like his own relationship with Uncle Dan, yet in other ways far, far different. He wasn't sure he was ready for it.

"Well," he said, reaching into the saddlebags for food, "we might as well have our supper right now. Then later on, you go back to the train an’ fetch Sarah. Close as it is, I don't want her walkin' back here alone."

While they ate, Josh pried Calico with questions about life on the range, about ranching, raising cattle, dangers commonly encountered, and a myriad of other subjects of interest to a city boy suddenly thrust into a new and, to him, adventure-filled lifestyle. Throughout their talk, though, Calico detected that Josh had something else on his mind.

Finally, after a slight pause in the conversation, Josh said "What do you think of me, Calico?"

Caught completely by surprise, Calico was at a loss for words. After a moment, he said "I’m not sure what you mean, boy?"

Josh was staring at him, and it made Calico once again both nervous and...he couldn't pin it down, but the sensation was warm, and good, and like he'd never felt before.

"That's just it: 'boy.' You think I'm still a boy, don't you?" Josh asked. Calico started to speak, not having any idea at all what he was going to say, and was grateful when Josh continued. "You think I'm a kid who isn't old enough to know what I want."

Calico felt, in his gut, that he knew exactly what Josh was getting at.

"I do know what I want, Calico. I've known what I wanted since I was six years old. It's not a something I'll grow out of. It's not something I've ever been ashamed of, or feel I have to be ashamed of. It's who I am―who I've always been and who I'll always be. I said I always knew what I wanted, but I never found it until…” he paused, staring at the fire, then raised his eyes up to look into Calico’s, who had been watching him at him intently, unable to take his eyes off the young man.

“Somehow,” Josh continued, forcing himself to keep eye contact with Calico, “I've felt since the day you met us at the train station that you understood that. Sarah thinks so too. If we didn't, I couldn't be talking to you now. You do know what I'm talking about, don't you, Calico?"

Calico felt almost dizzy; he was flooded with feelings that were both familiar to him and yet at the same time, alien. He realized they had been with him all his life, but which he had never fully acknowledged before. He nodded.

“Yeah, I think I know, Josh."

"Did you ever…do you...feel the same way, Calico?"

Calico sighed deeply, a little embarrassed at the thought that even Sarah had apparently seen something in him that he had not fully acknowledged himself. "Yeah, Josh," he said finally, "I guess just about everything you said's pretty much the same fer me, 'cept you're a lot more aware of it than I been. I always just figgered I was different'n most men. Not that it ever bothered me much, or that I ever thought there was anythingwrong with it, but feelin's are kind o' private out here―folks, ‘specially men, don't show 'em all that much. So 'til you come along, I just sort o' kept everythin' inside. I gotta tell ‘ya it feels kind o' funny puttin' words to things I never spoke out loud about before in my whole life."

They sat in silence a long minute, Calico staring at the fire, trying to sort out the flood of feelings washing through him.

Finally, Josh spoke again. "You think there might be a chance, Calico?"

Calico looked up from the fire, thinking but again not quite sure he knew exactly
what Josh meant. "A chance?"

"For...for you and me," Josh said quietly.

Calico ran one hand over his face and thought another long moment before replying. "You sure do know how to bowl a man over, bo...Josh," he said with a weak grin. "I'd be lyin’ if I didn’t say that a big a part o' me wants t' say 'yes' . But out here, the law means a lot to decent folks, and by the law, you’re still a kid.”

Josh nodded. “I know. And by the law I’ll be an adult in a little over a week and
nothing will have changed except that I’ll be at Aunt Rebecca’s and you’ll be somewhere between there and your ranch and we might never see each other again.”

The thought of never seeing Josh again had been in the back of Calico’s mind long before the conversation they were now having but, like so many things actually being spoken about for the first time in his life, the impact of the thought only now surfaced.

Calico said nothing for a moment, then sighed deeply. “We're talkin' about somethin' that’s mighty hard f’r me t’ find words for, Josh. I thought about it a lot, I guess, an’ I guess it’s somethin’ I wanted all my life, too. And what you say is true about your just about bein’ an adult in the eyes of the law. But we only knowed each other less than two weeks, an' much as an adult's you might be already, you still got a lot o' livin' t' do." He smiled and raised his hand to forestall Josh's objections. "If there's one thing I learned, it's that it's lots better t' grow int'a somethin' than t' jump int'a it."

"But we'll be at Aunt Rebecca’s soon, and you'll be leaving us there!" Josh said.

"True enough," Calico said "An' that'll give ya' time t' think. I got nine years on you, Josh. I never put words t’ it before, but I think I been waitin' all this time, too. So I reckon I can wait a while longer. I just want you t' have the time t' be sure you know that what ya' really want is what ya' think ya' want now. You understand me?"

Eyes downcast, Josh nodded.

“An’ one more thing…’bout me callin’ you ‘boy’ so much. My Uncle Dan called me ‘boy’ right up t’ the day he died, an’ I know he didn’t mean no disrespect by it. I think I know now it was his way a lettin’ me know that he cared about me.” Calico stirred the fire with a stick, then looked into Josh’s face. “You just keep that in mind if I should call you ‘boy’ again sometime.”

Watch the video trailer for Calico HERE. To read the entire first chapter on Dorien's website, please click HERE.

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Dorien Grey is the author of two popular mystery series―the 14-book Dick Hardesty series and the 4-book Elliott Smith series.

Learn more about Dorien Grey on his website and blog.

I'll be back Wednesday with a new menu. Until then...

Happy Reading!

Sloane Taylor
Twitter
Amazon Author Page

DORIEN GREY - A MAN OF MANY TALENTS

Along with being a excellent author, my dear friend Dorien Grey is a talented photographer. He's in Europe, enjoying the sights and posting his wonderful photographs on Facebook. Be sure to take a look. But before you go, please read an excerpt from one of Dorien's books.

AARON'S WAIT
an Elliott Smith Mystery
Dorien Grey
ISBN 978-1-934841-40-2 Print
ISBN 978-1-934841-41-9 Ebook
Zumaya Publications



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BLURB:
Aaron Stiles is dead. He's been dead for four years but doesn't seem to know it. He's waiting for his partner Bill to come home, and until that happens, he's not going anywhere. The trouble is, Bill Somers won-t be coming home--ever--because he's dead, too. The official verdict was suicide, but...

The last thing Elliot Smith needs in his latest renovation project is a ghost, especially one who won't let him sell the place until he solves the mystery of who killed Bill. He has John to help with the spectral side of things, but that just leaves him with the quandary of how to get information on the case. After all, he can hardly explain he's investigating on behalf of one dead man with the assistance of another.

EXCERPT:
While he made it a policy to have as little contact as possible with a building's tenants during the escrow period, Elliott felt compelled to talk with Mrs. Reinerio regarding her options. He didn't have her phone number, so he called the Wolinskis to ask for it, and to let them know of his intentions so they'd not think it strange for him to show up. As he expected, they had no objections.

Mrs. Wolinski reported they had found a small condo in a new retirement complex and would be moving within a month of the closing of escrow. He then called Mrs. Reinerio, who said she would be happy to talk with him, and would be home all day.

He drove over after lunch, noting that the weather was definitely cooler. Escrow was to close on a Tuesday; but badly as he wanted to get to work immediately, he knew that last-minute glitches often pushed the close back a day or so. To be on the safe side, he'd made arrangements for the sandblasters to come on the Monday following the official close date. He was fairly sure they could easily complete the work before the weather got too bad, but this was Chicago, and he didn't want to take any chances.

He was curious, too, about street parking around the new property during the day, and was relieved to see it wasn't too difficult to find a space. He took his time walking up to the building, pausing again to look at its neighbors. He was pleased to confirm his earlier observation that the entire block appeared to be relatively well maintained.

Climbing the steps to the front door, he rang Mrs. Reinerio's buzzer. She had opened her door by the time he entered the hall.

"Come in, Mr. Smith," she said, warmly.

"Elliott, please." He followed her inside, waiting as she closed the door behind him.

"Please, sit," she said. "May I get you some coffee?"

"If you have some made," he replied, taking the indicated chair.

"Of course. I'll only be a moment."

While she was gone, Elliott looked around. He'd seen the apartment during the inspection tour, but now had a chance to concentrate on some of the individual elements in the room. It was, he decided, definitely a grandmother's apartment--comfortable, neat, clean, and heavy with an indefinable air of the past.

Mrs. Reinerio returned a few minutes later with a tray on which were two coffee mugs.

"I don't hold much on ceremony," she said, a creamer, sugar bowl, and a small plate with several pieces of coffee cake. She put it on the coffee table in front of him.

Waiting until she had taken a seat across from him, Elliott got right to the point of his visit. He outlined what he perceived to be her options, emphasizing that he was renovating the building for resale, and that a rent increase under the new owners was almost inevitable.

She sighed. "I was afraid of that," she said, looking into her coffee, then hastily added, "I know it's not your fault, and that nothing is forever, but I've lived here for twenty-five years now, and..."

"I understand," Elliott said, and he felt he truly did. He then went on to tell her about one of his own rental properties that had a vacancy at a comparable rent, and that he would be pleased to have her as a tenant. He assured her he would be happy to assist if she needed help with the move itself.

"That's very kind of you, Elliott," she said. "Can I have a little time to think it over?"

"Certainly. I just wanted--"

There was a knock at the door, which Mrs. Reinerio apparently did not hear, since she showed no reaction to it.

"I think there's someone at the door," he said after a moment.

She looked at him and smiled. "Oh, it's nothing," she said. "It's just Aaron. I recognize the knock."

A shiver ran from the top of his head to his toes.

"Aaron?" John had already told him, of course, but confirmation from someone with a pulse still startled him.

Her smile never faded, and there was no change in the casual tone of her voice as she said, "Aaron Stiles. He lives ... lived ... upstairs. He died four years ago, poor dear."

"So you're saying..." Elliott finally managed to say.

She put her cup down and looked at him. "Yes," she said pleasantly, "I'm afraid you've bought yourself a slightly haunted house."

Elliott took a long sip of his coffee before saying, as conversationally as possible, "Well, that is interesting. Tell me a little about Aaron."

She sat back, laying her arms casually on the arms of her chair. "It's an incredibly sad story, I'm afraid. He was such a sweet young man. He moved in about six years ago. He was very quiet and rather lonely, I suspect. But he was always pleasant and helpful whenever anyone needed anything, and everyone loved him.

"Aaron never talked much about his past, but from what I was able to gather, he must have had a very sad life. He mentioned once that his parents died when he was quite young and left him with the responsibility of raising a younger brother, about whom he never spoke.

"Then, about a year before he died, he found a ... friend ... who subsequently moved in with him. I'd never seen Aaron happier! They seemed truly devoted to one another. I think they were even planning to buy a house together. And then, one day, his friend just disappeared and never came back. Poor Aaron was devastated. Two weeks later, he died. I gather he had a congenital heart condition that had plagued him all his life. But if you ask me, I think he died, quite literally, of a broken heart."

Elliott shook his head slowly but said nothing. He felt there was nothing he could say.

"But why the knocking?" he asked finally.

She sighed again, softly. "The day after Bill--that was the friend's name, Bill Somers--disappeared, Aaron went around to all the apartments to ask if any of us might have heard from him. None of us had, of course. But every few days he would come around again. I think he is still looking."

Just as Elliott opened his mouth to ask another question, Mrs. Reinerio's phone rang, and she rose to answer it.

"Ellen, dear! It's so good to hear from you!" She paused to look at Elliott, covering the mouthpiece with one hand. "It's my daughter from Los Angeles," she said. "We've not talked in some time."

Taking the hint, he got out of his chair. "I won't keep you, then," he said, outwardly casual but inwardly cursing the interruption. "Perhaps we can talk more later."

"I'd like that, Elliott. Thank you for stopping by." Removing her hand from the mouthpiece, she resumed her conversation with her daughter as he let himself out.

He was frustrated by the sense he had merely scratched the surface of Aaron's story, and wanted to know more. What about this Bill--the one Aaron was still waiting for? What happened between them? Why had Bill left?

He had the sudden urge to track him down and ask him for the full story, but he dismissed the idea for several reasons, telling himself he was not a detective, that he wouldn't know where to start looking, and that the whole thing was really none of his business. He rethought that last objection, however, and decided that having purchased a "haunted" building made it very much his business.

He did, however, fully understand now what John had said about Aaron's sadness, and he empathized.

He considered hanging around and returning to talk to Mrs. Reinerio but realized that was hardly practical and would undoubtedly cause her to question his reasons for the intense interest in a dead man.

As he left the building and returned to his car, he couldn't resist the urge to turn around and seek out the top-floor apartment window in which Steve had painted the figure Elliott had no doubt whatsoever was Aaron. He didn't expect to see anyone, and he didn't. It was just a window of an empty apartment.

There was no possible way Steve could have known about Aaron, yet somehow, on some level, he obviously did. John had said Steve was "perceptive," and Elliott recalled at least two occasions while he was trying to find John's identity that he and Steve had identical dreams, and at the same time. He hadn't known what to make of it then, and he still didn't.

He had never told Steve--or anyone else--about John, and didn't know how or whether to bring up the subject of Aaron. It wasn't for fear Steve would think he was insane--Steve had clearly stated his own belief in ghosts. Part of it was that Elliott still wasn't completely sure he believed in ghosts--and most definitely not as most people thought of them. The vast majority of ghosts he had ever heard of seemed to be some sort of time/space anomaly, like a spectral movie clip, endlessly doing the same thing over and over and totally unaware of the living. Clearly, that wasn't John. Ghosts, to his knowledge, did not interact with the living, let alone talk to them. On the other hand, John had never appeared to him, and their conversations were limited to when Elliott was asleep.

And now there was Aaron, of whom Elliott had no direct personal awareness other than the knocking, which still could have some natural explanation. The only evidence he had that there even was still an Aaron was through John.

And Steve's painting.

And Mrs. Reinerio's interesting but unproven theory.

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Learn more about the amazing Dorien Grey on his website and his blog Dorien Grey and Me. Be sure to click on Photo Life for a unique glimpse into this superb author's life.

I'll be back Friday with a new release from Christiane France. Until then...

Happy Reading!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

THE ANGEL SINGERS

If it is possible to have a split personality without being schizophrenic, Dorien Grey qualifies. When long-time book and magazine editor Roger Margason chose the pseudonym “Dorien Grey” for his first book, it set off a chain of circumstances which has led to the comfortable division of labor and responsibility. Roger has charge of day-to-day existence, freeing Dorien—with the help of Roger’s fingers—to write. It has reached the point where Roger merely sits back and reads the stories Dorien brings forth on the computer screen.

One such intriguing book is The Angel Singers which you'll enjoy reading again and again.

THE ANGEL SINGERS
Book #12 of the Dick Hardesty Mystery Series
Dorien Grey
ISBN 978-1-934841-06-8
Zumaya Boundless



All Dorien Grey's novels are available in or on order from any bookstore or on-line from AMAZON.

BLURB:
Take a group of men who love to sing, a devoted director, a wealthy backer, a lot of individual talent, clashing egos, and an upcoming concert. Throw in the backer's "protege," a five-year-old boy, a harried private detective, and a car bomb and...welcome to the maze.

EXCERPT:
Over the course of the weeks, I got to know not only something of how a chorus was made up, but a few through-Jonathan’s-eyes glimpses into what went on behind the scenes.

The night of Jonathan’s first rehearsal Roger Rothenberger, the chorus’s director, had, as he did with all new members, assigned him a “Buddy,” to help ease his way into the organization; introduce him around, show him the ropes, and explain and answer questions on procedures. Jonathan’s Buddy was a kid named Eric Speers, and the two of them hit it off immediately. So when Jonathan suggested inviting Eric over for dinner, I readily agreed. I was curious to meet him, and figured it would give me a little better insight into this new part of Jonathan’s life. He had indicated that Eric had been with the chorus since it had begun five years previously, and was deeply devoted to and involved in it. He was also the peacemaker of the group, which was apparently, as are most groups, both tight-knit and contentious.

It was inevitable that whenever you get 50 or so artistic gay men together, the road was not without its bumpy stretches. There were the inevitable cliques, feuds, and rivalries that afflict any group of humans, and Jonathan always brought home a doggie bag of the latest bits of gossip he’d heard at rehearsals. I’ve never gone in much for gossip, but Jonathan got such a kick out of observing all the various behind-the-risers intrigues and took such delight in sharing them with me that I couldn’t complain. It was rather like watching one of those guilty-pleasure soap operas on TV, although the cast members of the chorus dramas were not all as drop-dead gorgeous as their on-screen counterparts. There were even a few hush-hush allusions to a conflict between Rothenberger and Crandall Booth, and to Booth’s alleged financial ties to some rather shady types. I didn’t give any weight to the latter, since I knew that Glen O’Banyon, the city’s preeminent gay lawyer, for whom I frequently did work, was also a member of the chorus’s board, and if there were any solid basis to the allegations, Glen would not be associated with Booth in any way.

Rothenberger, Jonathan had told me, had been born and raised here, then moved to New York and started singing with the New York City Gay Men’s Chorus and became an assistant director. He’d then gone on to direct one or two other groups before moving back here. In addition to the Gay Men’s Chorus, he also directed the choir at the M.C.C. I’d seen him at the chorus’s last concert—the one that had prompted Jonathan to want to join. Rothenberger had reminded me of an opera star; portly to the point of being rotund, full beard, somewhat imperious manner; in absolute control when it came to leading the chorus. Jonathan reported that Rothenberger’s mantra at every rehearsal and before every concert was: “Remember; when you talk, you’re human. When you sing, you’re angels,” and everyone in the chorus apparently thought the world of him.

The most recent tempest in the choral teapot was created by a member who joined not too long before Jonathan, and who happened to be Crandall Booth’s nephew. There’s nothing like a little nepotism to get things heated up, and the controversy was compounded by the nephew, Grant Jefferson, apparently being something of a pain in the ass. Jonathan, of course, always prefers to see the good in everyone, but even he found it a little difficult to find much positive to say about Grant. “He’s really good looking,” he conceded, “and he does have a nice voice,” which, coming from Jonathan, I took to be something of a case of damning with faint praise.

Possibly another reason why I allowed myself to be vicariously caught up on the goings on of the chorus was that my work, while fairly steady, had lately tended to be far less than the stuff of which detective novels are made. For the past two weeks or so I had been caught up in a “case”…if it could even be called that…so stupifyingly dull I’d have much preferred to watch paint dry. Suffice it to say it involved a client with more money than intelligence who was on a vendetta against a former business partner and wasn’t going to let a little thing like his case not having a leg to stand on get in his way. I finally gave up trying to convince him that he was wasting his money, and resigned myself to the conclusion that if he was going to throw his money away, he might as well throw some of it at me. So I spent an inordinate amount of time running off in whatever new direction he pointed me. I could and should have quit; however, my mantra was: “It isn’t the principle of the thing, it’s the money.”

All Dorien Grey's novels are available in or on order from any bookstore or on-line from AMAZON.

Learn more about Dorien Grey and his excellent books on his website and his blog. For further insight into this remarkable author, check out his photolife.

I'll be back tomorrow to announce the winners from my newsletter contest. Until then...

Happy Reading!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

TUESDAY TEASER

Here's a little teaser to help warm up your cold winter day. :)

TEDDI TURNS ON
Sloane Taylor
ISBN 978-1-60168-115-7
Aspen Mountain Press




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BLURB:
No one’s going to take advantage of Teddi Howard again, including the Munich tour operator who screwed her over when he reneged on their contract. Her only option is to face the little weasel.

Nothing stands in the way of the prominent, German businessman David Stiefle, especially a woman. No way is he ever getting involved, even if she is the sensual Mrs. Howard.

EXCERPT:
David Stiefel’s eyes kept track of the copper-haired female while he rolled up the sleeves of his striped shirt. The woman was oblivious to the stir she created as she strolled through the crowded O’Hare Airport Business Class Lounge. He stroked an index finger over his lips and studied her sleek figure in form fitting slacks. The appealing rear view was too good to miss. The pleasure of not seeing a panty line forced him to shift in his chair to adjust for the sudden pull in his jeans.

She bent over, hung her jacket across the chair back, and glanced over her shoulder at him. Their gaze held as a smile tweaked the corner of his mouth. He crumpled the wrappings from his beef sandwich and knew he’d just been offered dessert. Now all he had to do was make his move.

As his good luck would have it, right there on the floor, just a few meters away was an airline ticket dropped by some unsuspecting person. Ha, unsuspecting, his Aunt Hilda. He knew that delicious looking woman had done it as a ploy to meet him.

He stood and paced off the few steps, never taking his eyes from her. He stooped, scooped up the packet, and walked the few extra feet before he glanced at the name printed in bold marker across the front. When he held it toward her she fumbled with her purse and carry-on as if she didn’t know she’d lost such an important set of documents. Very cool.

Standing in front of her, he leaned down just enough to catch her scent. Shalimar. His favorite.

“Bitte, Frau, are you missing something?” He liked the way her eyes widened as if she were surprised. She was good.

“Thank you.” She reached out a slender hand. Thank God there wasn’t any of that garish nail art so many women seemed to prefer.


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I'll be back tomorrow with my good friend Dorien Grey. Until then...

Happy Reading!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

STILL NEED THE PERFECT CHRISTMAS GIFT?

Or a great stocking stuffer? Then check out The latest best seller from Dorien Grey.

CAESAR’S FALL
Dorien Grey
ISBN 978-1-936144-08-2 Print
ISBN 978-1-936144-09-9 Ebook
Zumaya Boundless



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BLURB:
With a new building to restore and his relationship with Steve growing more serious, the last thing Elliott needs is someone else’s problem, but when lottery millionaire Bruno Caesar moves into his building he can’t just ignore the man’s pleas for help.

Then Bruno’s life comes to an abrupt end when he falls from his balcony. There’s only one problem—he was terrified of heights...and never went onto the balcony. Bruno can’t rest until the puzzle of his sudden death is solved, and Elliott and John are once again searching for answers.

EXCERPT:
As they entered the lobby, two men, one impeccably dressed in a very expensive suit and tie, had just been cleared by the doorman and directed to 40J. Somewhat to his surprise, Elliott recognized the men as Button and Paul, regulars at the Anvil, a nearby gay bar. He'd met them there some time before, but couldn't recall when he'd last seen them.

Spotting him, Button said "Elliott!" in a tone usually reserved for greeting long-lost friends."What a surprise! Going to the party?"

"No," Elliott said. "I live here." They converged on the way to the elevators, and Elliott introduced Steve.

"Well," Button said, "We'd wondered why we hadn't seen you in a while." Giving Steve an exaggerated head-to-toe scan, he added, "Now I see why. Why go out for hamburger when you can have steak at home?"

Steve grinned as the elevator door opened and they all got on.

"So how do you know Bruno?" Elliott asked.

"Everyone knows Bruno," Paul volunteered. "He's like a shooting star, suddenly appearing out of nowhere to streaking across the firmament of the Chicago gay scene."

Elliott and Steve exchanged quick bemused glances, and Button said, "Once a publicist, always a publicist. And he's hardly a shooting star. I've known Bruno for centuries."

"Maybe so," Paul said firmly, "but that's before he won the lottery."

"He won the lottery?" Steve asked, obviously impressed.

"And not just any lottery," Paul said: "The MegaBucks, no less! Fifty-nine million!"

"Wow!" Steve said.

The elevator stopped at 35 and the door opened.

"Why don't you come up with us?" Button asked. "I'm sure you'd be welcome."

Elliott, standing in the doorway to prevent its closing, said: "Bruno did invite us, but we had a birthday party and had to decline."

"It's not too late," Paul suggested.

Since Steve had already stepped out of the elevator, Elliott looked quickly to him for confirmation, then said, "Not tonight, I don't think. Maybe next time."

They all exchanged smiles and waves as the door closed, and Button said, "Don't be a stranger!"

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For greater insight into the "real person" behind Dorien Grey, the curious are invited to check out his website and his various blogs: Dorien Grey and Me and A Life in Photos among them.

There is nothing Dorien loves more than hearing from a reader. If you'd like to contact him, just drop him a note at doriengrey@gmail.com.

Have a wonderful weekend, I'll be back Monday. Until then...

Happy Writing!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

IT'S HERE!

Caesar's Fall, book 3 in the Elliott Smith Series, by acclaimed mystery author Dorien Grey!

This powerful novel tells the story of Elliott's new neighbor, Bruno, an average guy who suddenly finds himself the winner of a $57 million lottery. Elliott tries to protect him from the predators and con men who circle and scheme to get the money. Following a tragic death, Elliott again joins forces with his friend, John, to determine if the death was an accident or a murder, while juggling his restoration work on a classic old building and his developing relationship with painter Steve Gutierrez.

CAESAR'S FALL
Dorien Grey
ISBN 978-1-936144-08-2 Print
ISBN 978-1-936144-09-9 Ebook
Zumaya Boundless



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BLURB:
With a new building to restore and his relationship with Steve growing more serious, the last thing Elliott needs is someone else’s problem, but when lottery millionaire Bruno Caesar moves into his building he can’t just ignore the man’s pleas for help.

Bruno’s life comes to an abrupt end when he falls from his balcony. There’s only one problem—he was terrified of heights...and never went onto the balcony. Bruno can’t rest until the puzzle of his sudden death is solved, and Elliott and John are once again searching for answers.

EXCERPT:
They arrived at Bruno's at eight-forty-five. As usual, the kitchen door was slightly ajar and the front door partially open. They walked in to find fifteen or twenty people already scattered around the living room, dining alcove, kitchen, and even in the hallway leading to the den and bedrooms. Elliott immediately spotted Cage, Ralph, Chaz, Bruno's "sensei" Clifford Blanton, and several other people he recognized as regulars at Bruno's parties.

But there were, as always, several people he had never seen before, and he again wondered where they came from.

Bruno and Ricky were standing by the dining room table, which had several wrapped gifts on it, talking with Paul and the as-always impeccably dressed Button.

Walking over to greet them and to wish Ricky a happy birthday, Elliott casually laid the envelope next to the other gifts. He'd not seen Rudy but assumed he was coming, and knowing Bruno was probably already worried about a possible confrontation, he didn't want to ask.

"Please," Bruno said, "go get a drink and something to eat."

Rolling the ice cubes around in the bottom of his glass, Button drained the last of his and said, "Allow me to show you the way. Excuse us, all."

As he turned toward the bar, two people Elliott didn't recognize but who had apparently just come in approached the table with an ornately wrapped gift.

He and Steve followed Button to the bar, pausing to exchange a few words with various other guests. Steve pointed out the large buffet spread out on a pair of tablecloth-covered card tables near the bar.

"My God, there's enough food there to feed the Sixth Fleet."

"We should be so lucky!" Button observed. While they waited for the bartender to finish making drinks for the man in front of them, he turned to Elliott and said, "It's none of my business, of course, but do I detect a hint of trouble in Paradise?"

"What do you mean?"

"Well, Bruno seems a little…on edge…tonight. Very unlike him. I really hope he and Ricky aren't having problems already. Bruno seems truly devoted to him, but you know how these young kids are."

"I'm sure it's nothing," Elliott said. "Everybody has an off day every now and then."

Button pursed his lips and looked from Elliott to Steve.

"I'm sure you're right," he said, but he did not sound totally convinced.

Paul came over to join them just as they were giving their drink orders to the bartender, and a moment later, Ricky also joined the group. Glancing toward the dining alcove and the gift table, Elliott saw no sign of Bruno.

"A very nice party, Ricky," Steve said.

Ricky grinned. "It is, isn't it? This is my first real birthday party ever! Of course, I don't know very many of the people here, but it's still nice."

"Interesting centerpiece," Steve said, indicating the buffet table where a circular flower arrangement surrounded an empty champagne bottle with a lit white candle dripping small rivulets of different colors over the bottle as it melted.

Blushing, Ricky said "Bruno did that for me. It's the first bottle of champagne we shared, and I kept it. I love it with the candle!"

Elliott smiled to himself when he detected the distinct aroma of Old Spice. Bruno's influence, he assumed.

"Where did Bruno disappear to?" Button asked, looking around the room.

"Rudy came in, and Bruno said he wanted to talk to him privately. I guess they went into the den."

That was quick.

"Well, I wouldn't let you out of my sight for a second," Button said, laying his hand lightly on Ricky's arm. "A roving band of gypsies could come rushing in and just carry you off! Paul, where did we leave our gypsy costumes?"

* * *

Half an hour or so later, as a small circle of guests, including Ralph, Steve and Button, were talking about the Art Institute's new Modern Wing, Elliott noticed an angry-looking Rudy emerge from the hallway to Bruno's den. Motioning to an of-course-handsome young man with whom he had apparently come, he headed to the front door and left, his companion hurrying after him. A moment later, Bruno appeared, looking less than happy and, oblivious to Clifford Blanton's attempt to catch his attention as he passed, went directly to the bar.

Though Elliott hoped for a chance to talk privately with Bruno to see what had happened during his meeting with Rudy, the opportunity did not present itself. Immediately after getting his drink and speaking briefly to Ricky, Bruno withdrew to one corner of the room with Clifford Blanton for a long and apparently earnest discussion.

Bruno returned to the main group for the opening of the presents and the cutting and serving of the birthday cake, after which the crowd began to thin out. At around eleven-thirty Elliott and Steve sought out Bruno and Ricky to express their thanks and say their goodbyes. Ricky thanked them profusely for the on-order book, and Bruno told Elliott he would call him soon. From the tone in his voice, Elliott gathered he meant very soon.

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You can learn more about Dorien Grey and his awesome books on his website.

I'll be back tomorrow. Until then...

Happy Writing!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

IN THE MAINSTREAM

is where you'll find Dorien Grey and his stellar novels. A masterful writer, Dorien created P.I. Dick Hardesty and a series was born. The book we featured today, THE NINTH MAN is another excellent addition to the long line of critically acclaimed and best-selling novels by Dorien Grey.

THE NINTH MAN
Dorien Grey
ISBN 1-879194-88-0
GLB Publishing



THE NINTH MAN is available in or on-order from any bookstore. You can also purchase from GLB Publishing or Amazon.

BLURB:
Hired to get find the truth behind the mysterious death of a gay man the homophobic police force has declared a suicide, P.I. Dick Hardesty uncovers a series of similar, seemingly unrelated deaths and sets off to find the common link between them which will lead him to the murderer.

EXCERPT:
“Cigarette?” he asked, leaning across me for an ashtray on the night stand.

“Gave ’em up,” I said, smugly.

“You? Liggett & Myers’ best friend?” He paused to light up. “I’m proud of you. Really. It’s a filthy habit.” And he blew a long stream of smoke into my face.

“You little…” I said, lunging out to tickle him under the arm, which always drove him up the wall. He shrieked and rolled away from me, almost falling off the bed in the process.

“Don’t! Please! I’ll be good! Honest!” he gasped between arias of laughter and frantic flailing trying to fend off my insistent tickling. Finally, fearful that the neighbors might be considering calling the police, I stopped.

Tim lay limp, catching his breath. He took a long drag from his cigarette, which had somehow come through the struggle unscathed, and carefully blew the smoke away from me. After a minute, he plumped up his pillow and scooted himself up on the bed, his back against the headboard.

“Okay, so let’s talk,” he said.

“About what?” I asked.

“About whatever it was you called me about,” he said with a grin.

I duplicated his pillow-plumping and hoisted myself up beside him. “You know I hate to mix business with pleasure, but…”

“Yeah, yeah, I know. So ‘but’ what?”

“Your office had a case recently—you probably don’t remember it with all those stiffs you have coming and going. Mostly going. But this one was kind of different. Young guy named Bobby McDermott; 27.”

Tim muttered something under his breath—it sounded like “Fuck!” —and stared into the ashtray balanced on his stomach.

“What?” I asked.

Tim turned his head and looked at me, strangely, his eyes searching my face. He said nothing.

I felt a twinge of guilt. “Hey, Tim, I’m sorry,” I said. “I know I don’t have any right to butt into your business….”

Tim shrugged and relaxed a little. “It’s okay,” he said, finally. “Yeah, I remember Bobby McDermott. What about him?”

“The police apparently indicated to his lover that he killed himself. Probably poison. His lover swears he was murdered.”

Tim stubbed his cigarette into the ashtray, staring at it and continuing to tamp it long after it was out. “What makes him think that?”

Patience was never one of my greater virtues, and obviously Tim knew something he wasn’t too eager to share with me.

“Come on, Tim! The guy’s 27. Healthy as a horse—hung like one, too, I understand. No apparent problems—unless you count the lover, but that’s another story. Apparently the only thing he was addicted to is sex, and I’ve never heard of anyone fucking themselves to death, have you?” Tim shrugged, avoiding my eyes. “And then the cops ask the lover what he knows about poisons. That strikes me as more than a little strange; they don’t ask about drugs, but poisons.”

Tim pursed his lips, thought a moment, then turned to me with a deep sigh. “Well,” he said, shaking his head, “somebody was bound to catch on, sooner or later.”

“Catch on to what?” I asked, with a strange feeling in the pit of my stomach.

“First of all, he didn’t die of drugs; it was poison. Cyanide, to be exact. Apparently inhaled. Secondly, I’m pretty sure it wasn’t suicide.”

“What makes you think that?” I asked.

“Apart from the fact that cyanide is a pretty esoteric way for anybody to commit suicide, how would someone like McDermott manage to get hold of it? It’s not impossible to come by, but it’s not exactly a household product. But what really blows a hole in the suicide theory—and a little detail that the cops apparently chose to overlook—is that from what I understand, there was absolutely nothing in the room to indicate how he managed to inhale cyanide. No bottles, vials, inhalers, rags, nothing.”

“Weird,” I said, the butterflies still there.

“It gets weirder when you consider that Bobby McDermott wasn’t the first case we’ve had like it in the past couple weeks. He’s the sixth one.”

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For a greater insight into the "real person" behind Dorien Grey, the curious are invited to check out his website and his various blogs: Dorien Grey and Me and A Life in Photos among them.

There is nothing Dorien loves more than hearing from a reader. If you'd like to contact him, just drop him a note. Replies are guaranteed. Dorien answers all his emails.


I'll be back Friday. Until then...

Happy Writing!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com

DORIEN GREY - MAN OR MYTH

It is with great pleasure we feature Dorien Grey, an author who weaves a mystery with such cunning you become a major player in his stories.

Here's a little about how Dorien arrived on the publishing scene:

If it is possible to have a split personality without being schizophrenic, Dorien Grey qualifies. When long-time book and magazine editor Roger Margason chose the pseudonym “Dorien Grey” for his first book, it set off a chain of circumstances which has led to the comfortable division of labor and responsibility. Roger has charge of day-to-day existence, freeing Dorien—with the help of Roger’s fingers—to write. It has reached the point where Roger merely sits back and reads the stories Dorien brings forth on the computer screen.

It’s not as though Roger has not had an uninteresting life of his own. Two years into college, he left to join the Naval Aviation Cadet program. Washing out after a year, he spent the rest of his brief military career on an aircraft carrier in the Mediterranean at the height of the cold war. The journal he kept of his time in the military, in the form of letters home, honed his writing skills and provided him with a wealth of experiences to draw from in his future writing. These letters will be appearing in book form shortly.

Returning to Northern Illinois University after service, he graduated with a B.A. in English, and embarked on a series of jobs which worked him into the editing field. While working for a Los Angeles publishing house, he was instrumental in establishing a division exclusively for the publication of gay paperbacks and magazines, of which he became editor. He moved on to edit a leading L.A. based international gay men's magazine.

Tiring of earthquakes, brush fires, mud slides, and riots, he returned to the Midwest, where Dorien emerged, full-blown, like Venus from the sea. They’ve been inseparable (and interchangeable) ever since.

He, and Dorien of course, moved back to Chicago in 2006, where they now devote full time to writing. After having published thirteen books in the popular Dick Hardesty Mystery series, the western/romance/adventure novel, Calico, and the imminent publication of the third book in his new Elliott Smith Mystery series, he is busily at work on yet another Dick Hardesty mystery.

For a greater insight into the "real person" behind Dorien Grey, the curious are invited to check out his website and his various blogs: Dorien Grey and Me and A Life in Photos among them. You can also catch up with Dorien at the Author's Den.

Now, "The Butcher's Son", a finalist for a Lambda Literary Award:

THE BUTCHER'S SON
Book 1 of the Dick Hardesty Mystery Series
DORIEN GREY
ISBN 978-1-879194-86-1
GLB Publishing

Buy Link: Available, as are all of Dorien's books, at any bookstore or on-line bookseller.



BLURB:
It's not bad enough that Dick Hardesty has a job he hates and a boss from hell. He's suddenly put in the untenable position of helping the wildly homophobic chief of police in a run for governor. Throw the chief's twin sons--one of whom may or may not be dead--, a series of bar fires, and a crumbling 5-year relationship, and you have the ingredients for the tale of The Butcher's Son.

EXCERPT:
It had turned rather cool by the time we reached the street. We made a circle around to the car to drop off the plastic grapes and then turned toward the Dog Collar. I didn’t much care for the place. It was a big, cavernous dump that boasted 4 pool tables and a downstairs “dungeon” for those into group sex. Like a lot of older buildings, it had very high ceilings, which the management had recently tried to make appear lower by stretching some sort of black mesh fabric from wall to wall.

The clientele, as the bar’s name might indicate, was supposedly ultra-butch. I’ve got nothing at all against being butch, mind you—if it’s authentic. But the Dog Collar crowd was plastic grapes butch. Still, it always drew a good crowd, and was obviously packed tonight.

We were about two doors from the entrance, when we heard a muffled “Whoomp”which sounded like it came from the alley behind the bar, and a moment or two later, the double front doors burst open and a tidal wave of men washed out into the street, running. Shouts of…“Fire!” could be heard from inside and from those in the river of men gushing through the door. Chris and I stood frozen in mid step, then moved away from the buildings with the crowd and into the street. A wide, flat ribbon of smoke unfurled slowly out the top of the door, over the heads of those scrambling to get out.

No dictionary could ever have described the word “chaos” more vividly. Men were running, pushing, tripping over one another as they emerged, turning around to shout for friends still inside. Two or three guys fought against the tide, trying to go back in, but they couldn’t buck the crowd coming out, and the smoke was getting heavy now.

The single fact of that outward-opening, double-door entrance was all that prevented a human logjam forming there, and blessedly anyone who made it as far as the door was able to escape.

In the far distance, the sound of sirens could already be heard. The street was a milling mass of men; leathermen, pseudo leathermen, male strippers in g-strings and loincloths, college types, hunks, average Joes, older, younger; a cross section of the male gay community. Ironically, music still blared from inside the bar.

Small clusters of guys gathered together, some holding each other, some holding others back. Others pushed their way back and forth through the crowd, trying to locate friends. There were obviously many people hurt—most were coughing uncontrollably as they ran out, and others collapsed just outside the door and were dragged away from the entrance and carried across the street to be laid out on the sidewalk, where others huddled over them, doing what they could to help. Some just stood staring wide-eyed at the door as a few snake-tongues of orange fire began to lick out over the top of the doorway, as if tasting the air. The cacophony of sounds, however, could not hide what were too obviously screams from inside. The music had stopped.

Chris and I were totally walled in by the crowd, many still coughing and smelling of smoke, on one side of the semi-circle of onlookers. We weren’t close enough to the front to be able to do anything, and we were sick with the feeling of helplessness. Still they kept coming out—guys at the front of the crowd, which was being driven back by the increasing heat and billowing smoke, would rush forward to grab anyone who made it through the doors and lead or drag them to safety, or run interference to prevent others from trying to reenter the building to save friends or lovers.

We stood there, pressed against those crowded around us, and looked around to see if there was anyone we knew. Chris stood on tip-toe, trying to see over the heads of those directly around us. Fewer were coming out, now. One guy—probably one of the strippers—stumbled through the doorway, totally naked, obviously badly burned, his hair smoldering. He appeared slowly, back-lit by an angry pulsating orange, and leaned against the door frame as though it were a part of his number. Then he pushed himself forward, made it just outside the door, and toppled like a fallen tree onto the sidewalk before those dashing in to help him could reach him. They picked him up and carried across the street, the crowd parting to allow them through. And an instant later, a form appeared, from the other side of the doorway, crawling on all fours, his shirt on fire. He was grabbed and pulled forward by several guys who slapped at his shirt with their hands to put out the fire. They got him to his feet, but he looked frantically around at the crowd, then broke away and ran back toward the door, from which no one else was emerging. Two of those who’d helped him ran after him and grabbed him just before he reached the door, which was by this time engulfed in flame. They dragged him backward as he fought to break free, straining forward and yelling something we could not make out over the incredible din. There were no more screams coming from inside the bar; just crashing sounds and the triumphant roar of the flames.

The first squad car came racing down the street, siren wailing, lights flashing, horn blasting, followed by no fewer than three fire trucks, with the lights of others closing in from both directions. The crowd scattered before them.

And over all the sirens, and the yells, and the dull thrum of the fire, which was now pouring out of the door and had broken through the roof, I heard a voice:

“Dick! Dick!” I looked around and Chris pointed to the guy whose shirt had been on fire, still being held by his rescuers. It was Bob Allen.

Ambulances were beginning to arrive as the firemen rolled out their hoses and the police…several squads of them by this time, began moving the crowd back to allow the arriving ambulances to get through.

We shouldered our way through the mass of guys to Bob. He had blood running down his left temple from a gash somewhere just above the hairline. But his face! I hope I never see another expression on anyone’s face like I saw on Bob’s. The two guys holding him, seeing that we knew him, reluctantly released him. He grabbed us both, one with each hand, and his knees started to buckle. We grabbed him and held him up between us.

He tightened his grip on our arms. “You’ve got to help me go back in!” he pleaded, and suddenly my head jerked up to meet Chris’s eyes, which mirrored my own shock in realizing why.

“Ramón!” Bob said, pointing to the inferno. “Ramón’s still in there!”

There is nothing Dorien loves more than hearing from a reader. Feel free to drop him a note.

I'll be back Friday. Until then...

Happy Writing!

Sloane Taylor
Sweet as Honey...Hotter than Hell
www.sloanetaylor.com