Showing posts with label Tom Olbert. Show all posts
Showing posts with label Tom Olbert. Show all posts

Monday, June 20, 2016

NEW RELEASE for THOMAS OLBERT

This thrilling and inventive space opera takes us to a fascinating and terrifying future where newborn life is won in battle and death. Genetic engineering has removed the male influence and Femes, a sapien race similar to legendary Amazon Warriors, fight each other for supremacy across the galaxy.

Despite being born with the genes of nobility, Kaylenn has dedicated her life to battle. Nothing is more sacred to a Kralite, and when war breaks out she is eager to prove herself as a worthy commander and warrior. Fleets and planets fall before her strength, but when she has no choice but to place her faith in Saaryth, a loathed Kaltaarist captain, or face glorious death herself, she chooses to live. Born to the tribe, Saaryth embodies the unity and self-sacrifice that is the birthright of all Kaltaarists. After years of seeing her people spat upon by their Kralite leaders, Saaryth shows Kaylenn the potential of the many working together in perfect harmony to accomplish a single goal. But the fiery passion of Kaylenn awakens longings within her that she didn’t even know she was capable of having. She doesn’t want to share her. Their union provokes the ire of the governments and corporations controlling the galaxy, but is the only hope to save Kaylenn's homeworld.

The Nexus is always watching... their peoples are the next to be judged.

EXCERPT:
Saaryth handled the controls as the space shuttle cleared the orbiting station and descended toward Keltrys IV. After clearing her flight plan with station control and the flight center on the planet surface, she swung the shuttle skillfully around the ring-shaped superstructure of the gigantic military space wheel.

There, visible on the station’s planetside space dock was the Kalthaar. Battered and charred about the edges, but still the pride of the fleet, Kaylenn thought with a smile. As Saaryth did a close fly-by of the docked ship, Kaylenn looked through the viewport and saw the flitting white specs of the space crews moving about with their thruster packs as they worked on the Kalthaar’s damaged sections.

“I’m told the Kalthaar should be battle ready in about four standard days, Fleet Captain.” Saaryth's voice held no inflection or emotion.

“Yes, so I’ve heard. How do you feel about getting back into the fight, Saaryth?” The planet surface, bright green and blue, rose toward them in the viewport.

Saaryth’s eyes never left the controls. “I do not relish the thought of losing any more of my sisters, Fleet Captain,” she said calmly. “But, as our priestesses teach: If some must be lost on the hunt for the tribe to go on, that is the wisdom of Kaltaari.”

There was a note of sadness hidden under her stoicism. And, just a hint of anger. “You must resent my kind for putting you and your sisters in this position, Saaryth.”

She sighed, glancing up at the planet’s curve now filling the viewport. “Yes. I suppose I do.” Her jaw was a bit clenched. Kaylenn hoped letting Saaryth vent her anger in this neutral setting would help gain her trust. But now, it was Kaylenn’s turn to open up. “It’s a stupid war, I know. The Confederation and our former trading partner, the Vedran Alliance, wasting lives and funds over contested solar systems whose resources don’t begin to justify the cost.”

“The Galaxy, like the daughter of Kral, belongs to the strong,” Saaryth said, reciting the Confederation war slogan, as she raised the shuttle’s heat shields and prepped the ship for atmospheric entry.

“More accurately, the next Council term belongs to those ministers who have a successful military campaign to their credit.”

“You must be resentful as well, if you believe that,” Saaryth said as she switched the ship from nuclear space drive to air-cooled rocket propulsion. The ship trembled and the energy barrier beyond the viewport glowed white hot as the ship dove into the atmosphere.

Kaylenn was at once refreshed and a bit taken aback by Saaryth’s honesty. “I suppose, to some extent. The rules of politics and of war are the same as the Hunt of Kral: only one victor allowed. There’s no way around that. At least in Kralite society. But a good warrior understands the value of allies. The Council does not.” Saaryth remained silent, as though waiting for Kaylenn to say more. She's not going to make this easy. To be more direct meant putting her life in Saaryth’s hands. Well, she had once already, she reminded herself.

“You’ve been honest with me, Saaryth, so I’ll be honest with you. My government has asked me to suppress the role your people played in this battle, and I’ve refused.” Saaryth looked up suddenly, unable to hide her surprise. “That puts me in a very dangerous position. I don’t believe my own crew or officers would assassinate me, even under Fleet Command orders, but I suspect some might be slow to defend me the next time I’m ordered into the line of enemy fire. I have to be certain the same is not true of you and your people.”

Saaryth sighed, dropping the mask of composure and suddenly looking very irritated. “Fleet Captain, may I ask what you sought to accomplish by taking such a foolish risk?”

Kaylenn was completely unprepared for that. “I...I want my people to recognize what your people have to offer us. Saaryth, before this mission, I didn’t believe a Kaltaarist could be a real soldier. I was typical of my people, but I realize now how wrong we’ve been. We’ve allowed a valuable resource to go to waste because of a stupid cultural prejudice. A stigma. If my superiors could just look beyond their stodgy-”

“You are a fool,” Saaryth said coldly, looking directly at Kaylenn with stern eyes.

Kaylenn was stunned, but quickly recovered. “You overestimate your value to me, Lieutenant Commander,” she barked, her anger surfacing. “Perhaps I could secure my position with my superiors by arranging a convenient accident for you.”

“I’ll gladly help you to arrange that accident, if it will secure the future of my people,” Saaryth snapped back, setting the ship on auto-pilot.

Bright pink and violet cloudscapes raced past the viewport, framing Saaryth’s angry, beautiful face. “What are you talking about?” Kaylenn demanded.

“Your superiors are already well aware of what our pilots can do. That’s why we’re here.” Her eyes shifted a bit, as she hesitated. Then she locked eyes with Kaylenn and continued. “Our planning committees have discreetly negotiated with your ministers. We’ve agreed to help them with their war, and in return they have agreed to divert badly needed resources to some of our worlds which have been left to near starvation since this war began. The only condition is that we do not accept credit for any victory we participate in.”

Kaylenn understood. “But you agree to accept the blame for any defeat.”

“Of course. We care nothing about that, only about feeding our clusters and helping our people survive this war. And now you interfere with this reckless act of defiance and ask me to put my own people at risk to protect you! Why have you done this to us? What do you hope to gain?” Her eyes flared with anger.

Kaylenn almost smiled. At least now she knew where she stood. “Saaryth, listen to me,” she said quietly. “My leaders are shortsighted fools, and the trouble with you Kaltaarists is you have too much faith in sapien love. Don’t turn away from me! Listen. The Vedrans have learned the value of training Kaltaarists as soldiers. It’s only a matter of time now before they and every sapien empire begins doing the same. Things are going to change for your people, whether you want them to or not. Whether they change for better or worse depends on you and others like you.”

Saaryth looked at her with a hesitant curiosity. “What do you mean?”

“Play the game by the Council’s rules, and your people will become scapegoats for every disaster Helkos suffers in this war. The few crumbs the politicians toss your way won’t help you against the backlash that will follow when this war is over. You think your planets fare poorly now? Just wait. When the next war comes, it will be harder for the Confederation to use your kind as fighters again. But our next enemy won’t have that problem, you see?”

Saaryth looked shocked. Almost like a child.

“Our politicians aren’t like your planners. They think only of themselves, not of the problems their successors will inherit.”

Saaryth glanced about nervously. “How then does your defiance help us?”

“If enough captains like me and enough squadron commanders like you stand together, they can’t keep the truth bottled up. We can build a legend together, Saaryth—you and I!” She felt hot blood racing as she laid a hand on Saaryth’s arm. The dark-eyed feme looked a bit frightened, almost as though confronted with a maniac. Kaylenn calmed herself, withdrew her hand and reined in her ambition. “What I mean is that we can help turn public opinion in your people’s favor. In Kralite society, military success is the first step toward political power. Imagine your councils having a say in how the Confederation is run!”

For an instant Saaryth’s eyes sparkled, then an instant later, darkened with fear. Then they turned away and the cold, defensive calm returned. “No. We want no part of your politics.”

“Isolation is a luxury you can no longer afford! You’ve learned to kill. Now learn to reap the benefits of the kill. As you do on your hunt. As we do on ours.”

Saaryth dropped her head back against the headrest of her flight seat. She closed her eyes, the cloud-veiled red sunlight streaming through the viewport painted her face in a wash of blood. “When I was a young girl in my village, our priestess would scold my classmates and me for hoarding food, or not dividing the workload evenly, or fighting over the attentions of a friend. ‘The moment you let jealousy or selfishness or greed into your heart, you become like Tryl, the Mother of Evil who stabbed her own sister in the back and sold her soul to the demon Kral so she alone could claim the daughter who brought all suffering into the world.’ I never really took any of that seriously. Until now.”

“You’ve come this far,” Kaylenn said, feeling genuine sympathy for Saaryth’s pain. She had never felt sympathy for weakness before, and feeling it now frightened her a little. She had never imagined that kind of struggle could take place inside so capable a warrior as Saaryth. “You know you can’t turn back. You and I need each other.”

Saaryth raised her head and glared at her. “And, that’s why we’re here together?”

“It’s not the only reason,” Kaylenn said, hiding nothing as she gently ran a hand across Saaryth’s face. The other feme’s features softened. “Unless you’re blind, you saw that the moment we met.” Saaryth took her hand in both of hers and kissed it. She stroked Kaylenn’s hand softly against her own cheek and looked into her eyes. “I’ve been honest with you about what I want.”

“Power.”

“Power I would eagerly use to help those I love. Tell me what you want.”

“A better life for my people.”

“And, for yourself?”

Sunlight broke through the clouds and washed in a warm orange glow over Saaryth’s face. “That, you already know.” She smiled, and Kaylenn felt a great warmth passing through her as their fingers interlocked.

Read a FREE sample here.

BUY LINKS:
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Thomas Olbert lives in Cambridge, MA, home of Harvard, M.I.T., liberals and wackos. When not writing science fiction and horror or working, Tom volunteers for candidates and causes he cares about, like the environment and civil rights. Tom’s father Stan Olbert was a fighter in the Polish resistance during WWII and later a professor of physics at M.I.T. Tom’s mother, Norma Olbert has self-published Stan Olbert’s life story: “The Boy from Lwow”, now available in paperback. Tom’s sister Elizabeth Olbert is an accomplished artist and now a teacher of art at the University of Maine.

Olbert's fiction has appeared in a number of anthologies, including “In the Bloodstream” by Eden Royce, “Torched” from Nocturnal Press and “Something Wicked Vol. II” from EKhaya.

Tom has a dark, cosmically-themed science fiction/psycho drama novel entitled “Black Goddess” now available at Mocha Memoirs Press in addition to two dark sci-fi shorts “Hellshift” and “Along Came a Spider” also available from Mocha Memoirs Press. Another of his books is a vampire novelette entitled “Desert Flower,” a tragic tale of love, war and eternal darkness set in the midst of the Afghanistan war, available now from Eternal Press.

Learn more about Thomas
Olbert on his blog Other Dimensions.

Monday, October 26, 2015

Top-Notch Science Fiction

I'm happy to introduce you to Tom Olbert, a gifted science fiction/horror author with a devilish sense of humor. Tom and eleven other wonderful authors came together and created an anthology well worth reading. Visions II: Moons of Saturn is available in paperback and e-book.

Ice mining in space, colonization of extraterrestrial moons, war between interplanetary corporations, and time travelers bent on destruction, with mighty Saturn as the backdrop.

The theme, Moons of Saturn, provided inspiration for the creation of widely divergent tales centered about the mysterious planet and its system.

NASA’s Cassini Missions have captured stunning images of Saturn, its mesmerizing Rings of ice and rock, and its 53 officially named moons. These twelve authors present their visions of the Saturn System’s promise, as rich and diverse as the reality of Saturn, its Rings, and moons.

The second book of the Visions Series, this anthology features: Tom Tinney, W.A. Fix, Thaddeus Howze, Ami Hart, Bonnie Milani, Jeremy Lichtman, S.M. Kraftchak, Timothy Paul, Tom Olbert, Amos Parker, R. E. Jones, and Duane Brewster.

• In the depths of an ice mine on Dione, embattled troopers combat alien amoeba in the frigid tunnels.

• Wry humor combines with eccentricity in a tale of time traveling disaster.

• Enemies team up to complete a mission, in an intense tale of revenge.

• Security teams from opposing corporations, battle for possession of lunar mining operations.

The Visions Series tells of our urge to venture outward and to explore the Universe. Visions: Leaving Earth, describes our first faltering steps to rise from Earth’s surface. Visions II: Moons of Saturn confirms that we have left the Earth and are at home in our solar system. Visions III: Inside the Kuiper Belt proclaims humankind’s domination, from the Sun to the outermost reaches of the Kuiper Belt.

Beyond these volumes, we will explore outside our solar system: Deep Space and the Near Stars, Colonizing the Milky Way, and Understanding the Universe. Our vision is limitless.

BUY LINKS Lillicat Publishers - Smashwords - Amazon

Tom Olbert lives in Cambridge, MA, home of Harvard, M.I.T., liberals and wackos. When not writing science fiction and horror or working, Tom volunteers for candidates and causes he cares about, like the environment and civil rights. Tom’s father Stan Olbert was a fighter in the Polish resistance during WWII and later a professor of physics at M.I.T. Tom’s mother, Norma Olbert has self-published Stan Olbert’s life story: “The Boy from Lwow”, now available in paperback. Tom’s sister Elizabeth Olbert is an accomplished artist and now a teacher of art at the University of Maine.

Olbert's fiction has appeared in a number of anthologies, including “In the Bloodstream” by Eden Royce, “Torched” from Nocturnal Press and “Something Wicked Vol. II” from EKhaya.

Tom has a dark, cosmically-themed science fiction/psycho drama novel entitled “Black Goddess” now available at Mocha Memoirs Press in addition to two dark sci-fi shorts “Hellshift” and “Along Came a Spider” also available from Mocha Memoirs Press. He also has a vampire novelette entitled “Desert Flower,” a tragic tale of love, war and eternal darkness set in the midst of the Afghanistan war, available now from Eternal Press.

Learn more about Tom Olbert on his blog Other Dimensions.

Monday, April 06, 2015

Have You Evolved?

Science Fiction – An Evolving Genre
by Tom Olbert


Speaking as a writer who primarily works in science fiction, I am painfully aware that the genre holds extremely limited appeal for the public. The genre has dropped out of popularity. Most of the general public doesn’t take SF seriously. Kid stuff, they assume.

Maybe it started out that way, but the genre is evolving. The science fiction that has won current popularity in books and their big screen adaptations is the sub-genre we call post-apocalyptic science fiction (PASF). Stories that offer tortured young heroes and heroines struggling to find their purpose in dark, dystopian future worlds run by cold, duplicitous adults. And, if aimed and written properly, science fiction can be an excellent canvass for expressing such social themes and depicting characters who thrive in them, because it has no set limits or boundaries.

The writer creates the world that is needed to illustrate the point and to channel the development of the protagonist. The challenge is in making that world seem relevant to an audience that tends to be skeptical of the genre. To be taken seriously, SF has to escape the stigma of glitz and gadgetry and offer stories that are actually character-centered. The setting must frame and present the character, not just use the character to present itself.

One particularly dark and stinging PASF franchise is the CW’s “100” T.V. series, set in a post-war irradiated wilderness grown over the ruins of Washington D.C. Based on the Alloy books by Kass Morgan. A century after a nuclear war, the last survivors of humanity (or, so they think) live under harsh Draconian rule on an orbiting space colony beset by rapidly dwindling resources. They send a hundred of their incarcerated juvenile delinquents down to the surface to find out if it’s habitable. Turns out it is, but already inhabited, by two other groups of survivors. Warlike, savage tribes who live in the forests, and a technologically advanced but isolated society that’s lived inside a mountain bunker for the past 97 years.

Character development is strong and intense, weaving through dark themes of society-building, tribalism, leadership dynamic, and such timeless moral themes as justice, capital punishment, and war. It’s a raw, gritty look at human nature in its purest form, and it spares us nothing. Its strength is definitely in its lead characters. Most notably Clarke, the teenaged daughter of the space colony’s chief medical officer (a mother who betrayed Clarke’s father to execution at the hands of the regime, justifying it for the greater good.)

Thrust into circumstances beyond her control, Clarke reveals natural leadership ability and swiftly rises to power in her group. She soon has to face wrenching moral decisions that seem to echo the dark days of World War II. When the outwardly civilized, seemingly cordial mountain people start performing horrific Mengele-like experiments on the outsiders, draining their bone marrow in hopes of gaining their immunity to the radiation, Clarke must form an uneasy alliance with the savages to save her people. Clarke learns of an impending missile attack from the mountain through a spy she has on the inside, but decides not to warn her people about it, knowing it would tip off the enemy, robbing her side of the critical advantage. She must live with the guilt of her decision as dozens of her friends die a horrible fiery death while she gets herself to safety. A plot-point obviously alluding to Winston Churchill’s alleged similar decision at Coventry. When Clarke’s ally makes her own deal with the enemy, selling Clarke out to save her own people, Clarke must throw away the rule book to save her friends. She takes hostages and personally executes a prisoner just to make a point. When the enemy leader still won’t release her people, she makes the deliberate decision to commit genocide. Her hand pauses dramatically over the switch only a moment before she presses it, releasing deadly radiation into a bunker full of people, including innocent children and conscientious objectors who tried to help her people. The resulting nightmare scene of pleasant, family oriented cafeteria dining dissolving into excruciating death, bodies blistering from the radiation, women and children dying, conjures shades of Dresden, Hiroshima and Nagasaki.

“I tried to be one of the good guys,” Clarke later tells her mother. “Maybe, there are no good guys, Clarke,” mom replies. It’s not that everyone is out for number one, you understand. They’re all just doing their best to save their own people. Which is, of course worse. The story is a dark mirror of the world in which we live, but the characters have more life than that. We care about them, and they bring the dark lessons to life for us because their pain and conflict and love and hate for each other are potent.

In my SF novella “Black Goddess,” I combined theoretical quantum physics with the dark yearnings of a morally conflicted Gulf War vet who has lost his faith and becomes obsessed with finding the core of darkness at the beginning of time. The story deals with the real-life agony of torture and what it does to the soul, and asks the timeless questions of whether primal evil truly exists, if life is anything but blind chance, and if there is a God. At its core is a simple yearning for love.

Quote:
“Beneath her black head scarf, her dark eyes stabbed through him with a flaming hatred. Then…nothing. Like a black abyss where a soul had been a micro-second before. A strange kind of peace. More than that, a oneness.

That look in her eyes. In his dad’s. It was the same as he’d seen in Lark’s memory…in the eyes of that kid in Uganda who’d held a knife to her throat. But, he hadn’t harmed her. Something had stopped him. When their eyes had met…something in her had pulled him back from the abyss.”

To read more on Black Goddess please click a vendor's name
Mocha Memoirs Press - Amazon

Tom Olbert lives in Cambridge, Massachusetts; cradle of the American Revolution, and home of University egg heads and kooky liberals. He loves it there. His work has most recently appeared in Musa Publishing. Previously in Mocha Memoirs Press, Eternal Press, and such anthologies as Ruthless, Fading Light: An Anthology of the Monstrous, Something Wicked Vol II, In the Bloodstream, and Torched.

When he’s not working or writing sci-fi or horror, Tom volunteers for causes he cares about. He comes from a most interesting family; his mother, Norma Olbert is currently self-publishing a biography of the life of Tom’s dad Stan Olbert, a retired MIT physicist and veteran of the Polish underground during WWII. Tom’s sister Elizabeth Olbert is an artist, art teacher, and avid lover of horses.

Learn more about Tom Olbert on his blog Other Dimensions.

Monday, August 11, 2014

INTRODUCING TOM OLBERT

Tom Olbert is an outstanding science fiction author with many books to his credit. Tom's latest release is Long Haul. I hope you enjoy the snippet below as much as I did his short story.

This trucker's haul takes him to the end of time and space, and beyond...

In the near future, physicists have stumbled on a way to open rifts into other universes, making it possible to transport goods and people anywhere in the world in nothing flat. The unscrupulous corporation that owns the new technology uses it to monopolize shipping worldwide

Thrill-seeking, death-defying truckers like veteran army driver Garth Jenkins and his gun-toting trucking partner Sally Drake earn hazardous duty pay by hauling rigs through perilous alien universes often infested with deadly alien monsters and many other dangers besides.

Garth and Sally accept a shady corporate contract to deliver some unknown cargo to an alien universe, no questions asked. It looks like an easy way to score big money. But, things go south fast when their truck is hijacked by the beautiful and mysterious Keira Takahashi, and they find themselves pursued by hideous alien parasites in undead human bodies.

On the run and in danger, Garth and Sally find themselves on a crooked cosmic road leading to bizarre other worlds and exotic time periods. They have one chance to unravel the company's twisted plot and save themselves. Whether they succeed or fail may decide the fate of a universe...

EXCERPT:
Three suns burned brightly in the sky, the Earth was breaking apart, and giant moths were attacking us. For most guys, that would describe a bad dream after a bender, but when you’re trucking a load on the long haul, that’s business as usual.

A big mama moth was comin’ straight at me, and she looked pretty damn pissed. Wing spread of about fifteen feet, jaws bigger than my head. Yeah, that’s how big they grow in the crazy gravity in this parallel ’verse.

I squeezed the trigger of my flamethrower. A long, twisting stream of fire snaked out and nailed that sucker right between its foot-wide sparklin’ silver eyes. The shrieking noise those mothers make when they burst into flames cuts to the marrow and curdles the blood. Kinda like my ex-wife when I’m late with a payment.

It was still coming straight for me. I felt the fire on my face as it swooped in. Those things go up like freakin’ gas balloons, y’know. As it passed over, I held onto the rearview side mirror, crouched down on the running board, and nudged that big flaming bug with the muzzle of the flamethrower. It passed on over, stinking, singed pieces of it falling onto my hair and coveralls.

“Damn!” I yelled at the top of my lungs as the truck hit the guard rail, sparks flying, metal screeching. My feet slipped off the running board, and the rearview started coming loose in my hand. I looked down. My feet dangled over a damn long drop into a kind of island floating in mid-air, a jungle landscape splitting apart, volcanoes erupting and lava bubbling up.

There was nothing but sky all around, filled with other floating islands, and swarms of those moth things were taking off from them. Behind that, the moon filled half the sky. It looked close enough to touch. I held on for dear life as the rubber screeched over the tar. My trucking partner, Sally Drake, was spinning that wheel blind, trying to keep the damn rig on the highway. A highway that was built in mid-air, stretching out from one floating island to the next. Don’t ask me how. Our road crews just paved over old highways that were already there. Built by aliens from another ’verse, maybe. Or by humans from our future. I just drive. I don’t ask questions.

To read more on Long Haul or Tom's other books please click a vendor.
Musa Publishing - Amazon


Tom Olbert lives in Cambridge, Massachusetts; cradle of the American Revolution, and home of University egg heads and kooky liberals. He loves it there. His work has most recently appeared in Musa Publishing. Previously in Mocha Memoirs Press, Eternal Press, and such anthologies as Ruthless, Fading Light: An Anthology of the Monstrous, Something Wicked Vol II, In the Bloodstream, and Torched.

When he’s not working or writing sci-fi or horror, Tom volunteers for causes he cares about. He comes from a most interesting family; his mother, Norma Olbert is currently self-publishing a biography of the life of Tom’s dad Stan Olbert, a retired MIT physicist and veteran of the Polish underground during WWII. Tom’s sister Elizabeth Olbert is an artist, art teacher, and avid lover of horses.

Learn more about Tom Olbert on his