Showing posts with label Carol Browne. Show all posts
Showing posts with label Carol Browne. Show all posts

Monday, October 27, 2025

The Curse of Continuity

From Carol Browne


You’ll hear writers complain about the number of typos that get missed during the editing and proofreading processes, so their work is published with errors it is too late to fix. This is something that happens to even the most well-known authors, regardless of what publisher they use.

As a proofreader who is also an author, I have seen typos in my own published work and have no idea how I missed them. There is some kind of brain glitch that sees what it expects to see, hence, for example, ‘to’ becomes ‘do’, and the meaning of an entire sentence is lost. We just have to hope that readers suffer from the same glitch or like our work enough to overlook the mistakes.

Proofreading errors are bad enough, but far worse are errors in continuity and these may be harder to spot. For example, a character may sit at a table while having already done so on the previous page; someone claims to have come by bus, yet we know he left his car in the car park; the protagonist is shown into the boss’s office by a blonde secretary who is a redhead when he comes out.

I have just finished editing a book I wrote over several years. It started as three novellas which were then glued together into one novel. Revisiting old material is a challenge anyway but more so when a book has been written in sections with not enough thought to the sequence of events. Continuity errors have been a nightmare with this particular work, and chunks of the narrative had to be rewritten to iron out the inconsistencies. Proofreading errors, conversely, have been a doddle.

While storytelling is an author’s main function, there are many other factors that must be borne in mind. An author must:

1.     Create interesting, believable characters that the readers will care about

2.     Provide them with a plotline that works

3.     Weave any necessary subplots seamlessly into the narrative

4.     Be fluent and grammatically correct in the language of their choice

5.     Avoid spelling and style errors and typos

6.     Create a consistent atmosphere to suit the genre of the work

7.     Do sufficient research to support the credibility of the work

8.     Decide if certain themes, social commentaries or observations are to be included

9.     Maintain the interest of the readers throughout, regardless of their demographic, and

10  Never disappoint their readers with weak endings and plot holes.

While juggling all of the above, continuity might slide under the radar, but an author must keep track of what their characters are doing: their movements; appearance; clothes; dialogue; relationships; backstories; ages; emotions, and so on. Added to that is the need to be aware of changes in time and place.

That’s a lot of plates to keep spinning! No wonder errors creep in.

Alas, after you’ve written and submitted your book and you’re sure you’ve created perfection, you might see one of those plates smashed on the ground when a continuity error is finally discovered—but it’s too late, because your book’s been published! A case in point is the book I am currently reading. It’s well written and compelling and the author is prolific and professionally published; however, I noted that the main character asked someone if they had any kin, to be told no, only to ask that same person the same question two pages further on, again with the same response. Given all those spinning plates the author had to keep an eye on, I’d say it happens to the best of us.


Here is a brief intro to Book One of Carol's exciting trilogy.


Banished from Elvendom and forced to seek refuge among the Saxons, young Elgiva faces a grim future - until she crosses paths with Godwin, a Briton enslaved by the people she must now call allies.

When a dark power rises to claim dominion over Elvendom, Elgiva and Godwin set off on a dangerous quest for the legendary Lorestone: the only thing that can stop the looming darkness. With a reluctant elf boy as their guide and a stubborn pony by their side, they must navigate the treacherous land and harness ancient magic before it’s too late.

As battle lines are drawn, Elgiva must embrace her true heritage, and Godwin must learn to wield the secret power he possesses. But can they find the Lorestone in time - or will Elvendom fall forever?

An historical fantasy adventure set in 6th century Britain, THE EXILE OF ELINDEL is the first book in Carol Browne's The Elwardain Chronicles series.

UNIVERSAL BOOK LINK


Once upon a time a little girl wrote a poem about a flower. Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Monday, July 14, 2025

Dedicated to the One I Love

From Carol Browne

When you pick up a book, do you turn quickly to chapter one, or do you check out the dedication first? Perhaps, like me, you are intrigued to know who the book is dedicated to and why? If there is a name but no explanation for it, I always wonder what that person did to have their name immortalised in this way.

If you’re an author, your work might not necessarily be dedicated to the one you love. It could be to someone you respect, admire, or have reason to thank. Many dedications are humorous and playful and there are many examples of these online, but if you have put your passion and energy into a novel, which is a time-consuming and difficult undertaking, the dedication ought to be as weighty as the dedication you needed to write it.


In my first book, The Exile of Elindel, the dedication reads, ‘For Harry’, and readers might speculate that he is my husband, son, brother, or whatever. Actually, Harry was my dog for sixteen years and he saw me through one of the most challenging periods of my life. I don’t think The Exile of Elindel would exist had I not had Harry to give me a reason to get up every morning when everything was falling apart.

After Book 1, my ideas for a sequel solidified into a novel mainly because a close friend wanted to read it. So, Book 2, Gateway to Elvendom, was dedicated to that friend, Pat Longmuir. Even an audience of one is sufficient reason to write a book!

Books 1 and 2 called for a third book to tie up all the loose ends and bring everything to a satisfying conclusion. When it was written, I knew it should be dedicated to the memory of my niece, Bryony Cawley, who was tragically killed while only in her early 30s. She had left England while very young and lived a fearless, adventurous life in other lands, so we were apart, but I remembered a conversation we had two weeks before her death. It occurred to me at the time that she was wise beyond her years and when she died, I wondered if she had learned everything she needed to and gone on to something better. I didn’t know what to do to honour her life, but I wanted it to be recorded somewhere. Dedicating Wyrd’s End, the third book in my trilogy, to Bryony seemed to be a good way for me to pay tribute to the memory of this very special human being.

As writers we can always thank people in the acknowledgements at the end of the book, but to dedicate an entire book to someone is a unique tribute and a lasting memorial to a person who has had a significant impact on the author’s life. After all, when you have put something out into the world which will exist as long as literature does, it seems fitting to make your dedication a special gift to posterity.

Here is a brief intro to Book One of Carol's exciting trilogy.


Banished from Elvendom and forced to seek refuge among the Saxons, young Elgiva faces a grim future - until she crosses paths with Godwin, a Briton enslaved by the people she must now call allies.

When a dark power rises to claim dominion over Elvendom, Elgiva and Godwin set off on a dangerous quest for the legendary Lorestone: the only thing that can stop the looming darkness. With a reluctant elf boy as their guide and a stubborn pony by their side, they must navigate the treacherous land and harness ancient magic before it’s too late.

As battle lines are drawn, Elgiva must embrace her true heritage, and Godwin must learn to wield the secret power he possesses. But can they find the Lorestone in time - or will Elvendom fall forever?

An historical fantasy adventure set in 6th century Britain, THE EXILE OF ELINDEL is the first book in Carol Browne's The Elwardain Chronicles series.

UNIVERSAL BOOK LINK


Once upon a time a little girl wrote a poem about a flower. Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Monday, May 12, 2025

Keeping Britain Tidy

a Never-ending Task

From Carol Browne


One of my favourite activities isn’t everyone’s cup of tea, although I wish more people would take it up. Once a week, I join a couple of neighbours and we go litter picking in our local area.

There’s an expression in the UK – “It’s like painting the Forth Bridge.” Said bridge spans the Forth Estuary in Scotland and is so big a structure that, in the days before new tech, painting it was a question of getting to the end only to have to start again at the beginning. It was a task that was never finished and so it is with litter picking.

Have humans become more thoughtless with their rubbish over the years? It does seem so. There’s more packaging on everyday purchases too, and people eat fast food on the go. When did everyone start taking bottled water and cans out with them wherever they went? What is the mentality of fly-tippers who are happy to make their rubbish someone else’s problem rather than dispose of it responsibly themselves?

Litter isn’t just unsightly; it poses serious danger to wildlife and the environment. Broken bottles can injure dogs’ paws and start forest fires. Plastic can holders trap and strangle animals – they should be cut up before disposal. Plastic that is loose in the ecosystem breaks down into tiny fragments that enter our food and water and, eventually, our bodies.

In past ages, rubbish was biodegradable. Forest floors were littered with dead leaves not crisp packets. Broken clay pottery returned to the earth from which it was made. Textiles were mended and reused. Leftover food items became compost to grow more food. There were no cigarette ends ground underfoot, no plastic bags taking flight over windswept fields.

So, my neighbours and I do our bit to clean up the detritus of modern life. We have fun doing it – you’d be surprised what we find! It’s a satisfying pastime because we can see that we’ve made a difference to our neighbourhood, and it sets a good example to others – litterally! Imagine if everyone just kept the area outside their own home litter-free, wouldn’t that be something!

The characters in my epic fantasy trilogy The Elwardain Chronicles would be horrified to see the rubbish-strewn vistas of the 21st century. They would be appalled by our carelessness and lack of respect for nature. Their 6th century world is unspoilt and unpolluted. If you would like to escape to a cleaner, simpler time, why not take a trip through my trilogy and walk into a world of beauty and magic.

The journey begins now with Book 1, The Exile of Elindel, available in eBook and print.

Banished from Elvendom and forced to seek refuge among the Saxons, young Elgiva faces a grim future - until she crosses paths with Godwin, a Briton enslaved by the people she must now call allies.

When a dark power rises to claim dominion over Elvendom, Elgiva and Godwin set off on a dangerous quest for the legendary Lorestone: the only thing that can stop the looming darkness. With a reluctant elf boy as their guide and a stubborn pony by their side, they must navigate the treacherous land and harness ancient magic before it’s too late.

As battle lines are drawn, Elgiva must embrace her true heritage, and Godwin must learn to wield the secret power he possesses. But can they find the Lorestone in time - or will Elvendom fall forever?

An historical fantasy adventure set in 6th century Britain, THE EXILE OF ELINDEL is the first book in Carol Browne's The Elwardain Chronicles series.

UNIVERSAL BOOK LINK


Once upon a time a little girl wrote a poem about a flower. Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Monday, October 10, 2022

A Shapeshifter Called Harper

 from Carol Browne


You’re expecting to read about a shapeshifter called Harper now, I know, but it’s why this character is called Harper that is the reason for me writing this blog. The name was originally Tyler.

Tyler was the MC in a sci-fi novella entitled The Star Attraction, which I wrote in 2016. In May 2019, I was offered a contract for the book by my publisher. Said publisher closed down a few months later and that was that. Following this, I found myself dealing with a multitude of life problems, not to mention my other books and the demise of my third publisher. Hence, it was only in July 2022 that I found time to submit this book elsewhere (no verdict as yet!). Meanwhile, I am writing a sequel.

This week I saw a promo post on Facebook for a new release and, lo and behold, the male protagonist is a shapeshifter called Tyler. What are the odds? I might have been the first person to use this name in this way, but the other author got published so Tyler is damned and has morphed into Harper (which seems apt).

In this same week, a fellow author was distraught when she found that her latest manuscript, which she was about to send to her agent, has the same theme as another recently published book. I won’t reveal the theme, but it is such a novel, specific and original concept that it beggars belief that someone else came up with the very same idea. I hope she and her agent can find a way around this dilemma.

Last year I had an idea for a crime thriller, and I believed that the crime and the reason behind it was so outlandish and original that the chance of anyone else coming up with the idea was remote. More fool me. Yet another of those promo posts on Facebook was to show me the error of my ways as a concept I had deemed so unusual and unique was there for all to see in someone else’s stylish new book trailer. Meanwhile, as I toyed with the idea of an epic fantasy involving women with magic powers, I found that my story had already been given its marching orders by The Wheel of Time.

When there’s nothing new under the sun, it’s a challenge trying to create original concepts, and even more difficult to avoid accusations of plagiarism even though you had no idea that your ideas duplicated someone else’s. In the same way, it’s not possible to be aware of every book that has been, is being, or will be published. The fact that there’s no copyright on titles is a small crumb of comfort!

So, what is going on? Is it the Collective Unconscious that causes so many people to have the same ideas at the same time? How often does this happen to other authors and what do they do about it? Would any author reading this blog have changed Tyler to Harper or kept the original name? I’d love to know.

For now, my shapeshifter is called Harper. I lay claim to this in writing in the hope that there aren’t any other shapeshifters called Harper out there already! If there are and anyone has any objection to mine, speak now or forever hold your peace!

Once upon a time a little girl wrote a poem about a flower.
Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Fantasy author Carol Browne is a published author who is currently seeking an agent.

Monday, June 27, 2022

Are Friends Electric?

Farewell, Fridge-freezer! 

From Carol Browne 


Humans tend to become emotionally attached to inanimate objects. People love their cars, for example. I don’t have a car, but I do have a fridge-freezer. Or rather, I did. It died on me this week, announcing its demise by tripping out all the lights and the other household appliances and sending me into a panic that had me phoning my landlord for help. He sent round an electrician who restored equilibrium to the fuse box and read the fridge-freezer its last rites.
 

I joked with the electrician: “How dare it break down after twenty-eight years of constant service!” He agreed that they don’t make white goods like that anymore. But when he’d gone, I felt a bit sad. I remembered the day I bought that fridge-freezer brand new. I had escaped from a bad marriage and found a place to rent and was filling it with what I needed to start my new life. Things were not destined to go smoothly, however, and there were to be many house moves and relationships ahead. Throughout all those house moves my longest-lasting relationship has been with my fridge-freezer! 

I sat at the kitchen table and reminisced. All the things I had been through over those twenty-eight years! And that fridge-freezer had stood without complaint in whatever kitchen it found itself in (and for a few years, in a draughty back porch). It moved between houses and bungalows, from the town to the countryside, bumping about in removal vans and trucks. Along the way it lost its pristine-white sheen and gathered fridge magnets like barnacles. Its edges became a little rusty, the shelves cracked and the little light no longer worked when the door was opened. But it steadfastly did its duty, a silent witness to the dramas around it and the passing of time. And sometimes when I woke in the night, its gurgling and purring sounds drifted from the kitchen to my room and reassured me, though I don’t know why. It was just a machine but somehow it had become a friend. 

I remembered as a child the time before we even had a fridge and how difficult it was for my mother to keep food fresh. The day the first fridge arrived was everyone’s birthday come at once! It had an icebox and that meant ice cream! Nowadays, we take such devices for granted. What a shock it is when they stop working for us. 

Yes, I had taken that fridge-freezer for granted. It never let me down until this week and I am lost without it until a replacement is delivered. We have been through a lot together and I know I will never see its like again. It will be a wrench to see it loaded onto yet another truck, because this time it won’t be going to another kitchen in another home. This time it will make its final journey when the city council hauls it away to put it out of its misery. 

Yes, it’s an inanimate object, insensate and soulless and just a hulk made of plastic and metal, but I know that when they take it away, I will be thinking, “Goodbye, old friend. Thanks for everything. It’s been a blast.”


Once upon a time a little girl wrote a poem about a flower.
Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.

Over the years poems and stories flowed from her pen like magic from a wizard’s wand.

She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.

But inside her still is that little girl who loved Nature and discovered the magic of words.

She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter. 

Fantasy author Carol Browne is a published author who is currently seeking an agent.

Monday, August 09, 2021

Learning Welsh, Again

From Carol Browne

Recently I made a serious attempt at tackling a life-long goal. I have always wanted to learn Welsh and now that I am semi-retired, I have the time and the inclination to take on new projects. I already have a good grounding in French and a smattering of German but Welsh has been what you might call the Holy Grail for me when wanting to learn another language. There are a number of reasons for this. As a Brit, I believe we in the UK should value and preserve all our languages.  It is a shame they aren’t taught in schools. The UK comprises four nations so why should English alone be the national tongue? Welsh is a British language and the Britons were here first!

Apart from the historical and cultural reasons for learning another language, it has been shown to help with cognitive function and to ward off dementia. It opens up neural pathways in the brain and is especially good for the mental development of children. Other languages can stretch our minds with their varied uses of syntax and imagery; it is a different way of looking at the world.

I have another reason for learning Welsh, however. This one will ask many of the people reading this blog to suspend disbelief. I did have another attempt at learning Welsh a long time ago. I was about eight years old and had inherited a bookcase with its contents from my great uncle. In it was a Teach Yourself Welsh book. So I tried. I desperately wanted to learn Welsh because being Welsh was an obsession of mine. Coincidentally, all my family holidays were spent in Wales as we weren’t too far from the Welsh border. Trust me, once you cross that border you feel different. There is something a bit magical about Wales. Druids, castles, dragons, yes! But the whole ethos of that country feels otherworldly. The beaches are gorgeous too and there are stunning waterfalls and lush woodland that seem to be a natural haunt for the faerie folk.

My attempt at learning Welsh on my own at such a young age was a failure. I could write the words but had no idea how to say them. No Internet then. There were no evening classes and no college courses in Welsh, even had I been old enough to attend. I was forced to abandon the attempt. But my obsession with Wales persisted. I didn’t just want to speak Welsh; I wanted to be Welsh. Being English instead actually caused me considerable depression. Bonkers! Why would a child have such outlandish thoughts!

Fast forward twenty years to a morning bus ride on my way to work. I remember it clearly. I was gazing sadly out of the window, thinking that if anyone were to ask me what my biggest regret in life was, I would have to say, “Not being Welsh”. Only one thought cheered me up. That evening there was something to look forward to. A neighbour and I had booked readings with a local clairvoyant medium. Although we both had an interest in spiritual and esoteric matters, we had not been to a medium before and it was a bit of a giggle; but I was not prepared for what I was to hear.

 When my turn to sit with the medium came, she told me about my present life and quite a few things that would happen in my future (I dismissed them at the time but they all came to pass!). She said that I could ask her some questions before I left. Something prompted me to say, “Can you see people’s past lives?”

 “Oh, yes,” she said. “I can see some of yours. In your most recent past life you were Welsh.”

 Yep, I almost fell off the chair! How could she know I was obsessed with being Welsh? Nobody knew that!

 She went on to tell me I was a woman with a smallholding in Maesteg, South Wales, and I loved animals but didn’t like human society so lived like a recluse. She said, unfortunately, I had brought that vibration with me to this lifetime (I have. My bad, but it wasn’t a conscious decision!). I died of cancer in about 1874.

“One day, you will go back to Maesteg and recognise where you used to live,” she went on.

 So far, I haven’t made it to Maesteg, but you never know.

 The funny thing is, as soon as she told me I had been Welsh, my obsession with being Welsh evaporated along with the sadness. Something lifted and I was content with my Englishness from that point on. Fortunately, my love for Wales and the language did not go away. Now, thanks to Duolingo, I am learning Welsh and I know how to pronounce it this time, so I have more chance of success.

For all those years before that clairvoyant released me from my past-life enchantment, I endured an inexplicable longing for a place with which I felt a profound but irrational bond. It was nostalgia for a home that no longer existed and a sense of deep sorrow and regret to have lost it. I experienced something for which there is no word in English.

But there is a word that encapsulates all of those feelings. The word is hiraeth. It’s Welsh, of course!

Here is a brief into to my latest book. I hope you enjoy it.



An elf laments a passing era,

But truth and beauty will survive,
For they live on in stories and verses,
And in our imaginations thrive.

Nature, nostalgia, mystery and magic,
In twisty tales and poems that rhyme,
Are here, with myth and fantasy blended,
To capture another place and time.


BUY LINKS 

Amazon UK

Amazon US


Once upon a time a little girl wrote a poem about a flower.
Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.
Over the years poems and stories flowed from her pen like magic from a wizard’s wand.
She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.
But inside her still is that little girl who loved Nature and discovered the magic of words.
She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

 

Monday, June 28, 2021

NEW RELEASE for Carol Browne

High praise for Carol Browne's latest book that is a beautiful anthology of poems and short stories.

No one says it better than an Amazon reviewer who describes the book as “atmospheric”:

“The poetry is steeped in a love of nature, magic and mythology. The short stories hold interesting twists. No spoilers! The Boomerang Effect (dabbling with a love spell, Martin Nevis finds himself having second thoughts) A Force to Be Reckoned With (an outcast with thoughts of being “destined for something great” wants to join the police force) and Transformation (once bullied, Patricia attends a school reunion and emerges victorious) were my favorites.

Give this anthology collection of short stories a read, you won’t be disappointed.”



BLURB

An elf laments a passing era,
But truth and beauty will survive,
For they live on in stories and verses,
And in our imaginations thrive.

Nature, nostalgia, mystery and magic,
In twisty tales and poems that rhyme,
Are here, with myth and fantasy blended,
To capture another place and time.




BUY LINKS 

Amazon UK

Amazon US


Once upon a time a little girl wrote a poem about a flower.
Impressed, her teacher pinned it to the wall and, in doing so, showed the child which path to follow.
Over the years poems and stories flowed from her pen like magic from a wizard’s wand.
She is much older now, a little wiser too, and she lives in rural Cambridgeshire, where there are many trees to hug.
But inside her still is that little girl who loved Nature and discovered the magic of words.
She hopes to live happily ever after.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

 

Monday, January 18, 2021

One Step Nearer the Epilogue

from Carol Browne

Photo by Gaelle Marcel on Unsplash
The metaphor that likens life to a book is a common one. Viewing our progress through existence as a series of chapters appeals to our need to put things in boxes and compartments. Each chapter can be titled after a significant event or rite of passage: infancy; puberty; marriage; first job; and so on. There is no set number of chapters and each one may have different themes and moods. The length of each chapter is as variable as the length of the entire book; it is, however, generally assumed that a valuable lesson or learning experience should be included in the narrative.

The latest chapter in my own book of life is the one headed ‘Retirement’. I have longed to reach this chapter but I am fully aware of the potential dangers that lie within its pages.  For many, retirement is the end of usefulness when we become a drain on society and not a contributor anymore. It can make us feel less important and rob us of our self-respect and purpose. We tell ourselves that we have nothing to look forward to but an eventual decline into infirmity. But, as with all previous chapters, we have a choice in how we approach this new status. It’s all a question of attitude.

We can embrace our new freedom because we have earned it, and we don’t have to let ourselves go or stop learning. We can still work if we want to, but now we can choose what work we do, and when. Retirement doesn’t have to mean bingo and chamber music, complaining about the younger generation, or behaving with dignity at all times. The contribution of the elders to society should be enormous because finally we have the time and financial freedom we need to change the world. It’s not just by doing voluntary work or becoming politically active. We are now more useful than ever before because we have a lifetime of knowledge and experience and we can use that to guide those who are still struggling through earlier chapters. I would encourage all my fellow oldsters to reject the idea that they are on the scrapheap, because the fun is only just beginning.

I’m hoping ‘the undiscover’d country’ is some way off for me yet, but when they come to write my epilogue I hope it will show me in a favourable light. I hope it will include my successes as well as my failures. I would like to think I had made a difference to the world and left it in a better condition than I found it, even if it’s in a small way. I have plans for this particular learning experience and trust that the epilogue will celebrate my success. Most importantly of all, once my book is finished, I hope those I leave behind me will give it a five-star review.

Just to prove to you sitting in a rocker all day is not in my future, here's a peek at my latest epic fantasy. I hope you enjoy it.


His adventures in Elvendom left Godwin a changed man, and now bereavement has darkened his world.

In another dimension, a new Elvendom is threatened by the ambitions of a monstrous enemy. But who - or what - is the Dark Lady of Bletchberm?

And what has become of Elgiva?

Reeling from the loss of their Elwardain, the elves ask Godwin for help.
Transported into a strange world of time travel and outlandish creatures, will he succeed in his quest against impossible odds, or will the Dark Lady destroy everything the Elwardain fought to preserve?


EXCERPT

His heart thumping in his throat, Godwin took in all the details of the goblin’s appearance. The creature was probably four feet tall at most and was wearing a sleeveless leather tunic and short leggings over his skinny frame. His arms and legs were hard with thin bands of muscle; sinews moved like taut wires beneath the scant flesh. Godwin fancied that the goblin’s skin had a sickly, greenish tint, but in the firelight it was impossible to be sure.

The goblin moved in an awkward manner, not upright like a man or an elf, but slightly stooped and with bent knees, as though on the verge of pouncing. The dome of his head was as bald and smooth as a pebble, and his very long, pointed ears were attached on either side like those of a lynx. His large eyes glittered like wet malachite and between them a long, sharp nose protruded with all the aesthetic attributes of a small parsnip.

The goblin’s large eyes widened as they swivelled in Godwin’s direction, making his stomach curdle in fear and revulsion.

“Only two of you, then?” said the goblin with a smirk. “Not much of a challenge, is it?” He beckoned with his sword and others of his kind began to creep into the circle.

Godwin glanced around. There were six more of them, each carrying a sword of a curious design, the blade like a thin, metal spiral with a very sharp point. A visceral fear welled up inside him at the sight of these weapons, but he didn’t know why.

Amazon Buy Links USA - UK

Born in Stafford in the UK, Carol Browne was raised in Crewe, Cheshire, which she thinks of as her home town. Interested in reading and writing at an early age, Carol pursued her passions at Nottingham University and was awarded an honours degree in English Language and Literature. Now living and working in the Cambridgeshire countryside, Carol usually writes fiction but has also taken a plunge into non-fiction with Being Krystyna. This story of a Holocaust survivor has been well received.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

Monday, November 02, 2020

When You Can’t Make it Work on Paper

 by Carol Browne

Christianna Cassisa, an artist friend, recently posted some of her paintings on Facebook. I love her art because she has a unique style and her work seems to have a life of its own that I can only describe as magical. Some creatives really do have a special gift for breathing life into their artistic concepts. Here are three of my favorites.

















As usual, I remarked upon how much I love her paintings and how perfect and brilliant they are. Her response was that I hadn’t seen her failures, and I never would. Nobody would, because they are mediocre and fall short of her vision. She couldn’t make them work on paper.

She said, didn’t I as a writer experience the same phenomenon, where no matter what you do, you can’t make the medium you work with reflect the ideas in your mind? The similarity between our two art forms struck me very forcibly then, yet it had never occurred to me before. One of the major frustrations of creative work is when a great idea takes root in your mind but you can’t do it justice in the physical expression of it.

For some months now I have been struggling with one of those great ideas. It is dark and unsettling and the perfect premise for an intelligent thriller. It’s an idea that won’t leave me. To discard it is unthinkable.

I wrote three different versions of chapter one and binned them. Likewise, characters have been introduced and quickly shown the door. Backgrounds changed colour and setting. Dramatic conflict between faceless characters led to long verbal exchanges that had no mouths to speak them. Only the idea, the central premise, remains, both egregious and ingenious, demanding manifestation.

And I can’t make it work on paper.

This idea is like a seed that is full of potential but in the hands of an indifferent gardener may never reach for the sun and bear fruit. It is too good an idea not to run with it, and yet it has no legs. I could wish this idea had been given to someone else. Let them sit and stare at the wall, trying to work out a plot! I have been infected with the germ of an idea for a great story, but so far it is peopled by phantoms and written on water.

At some point, I might have to tell myself to let it go. If that happens it will mean having to face the possibility that I’m not up to the job. I was given a good idea but it surpassed my abilities as a writer.  I’m not prepared to give up just yet because this idea is bold and brave. It is a commentary on our times. It has important topics to explore, essential truths to impart, observations to set down and questions to pose. But without a structure these themes float around like rudderless boats, seeking anchorage in a shared harbour. The harbour they are searching for is the book I have called Now You Don’t. It has a title so it should exist. But it doesn’t. It’s a non-book.

Because I can’t make it work on paper.

Here’s a little from my book that did work on paper.


Gillian Roth finds herself in middle age, living alone, working in a dull job, with few friends and little excitement in her life. So far, so ordinary.

But Gillian has one extraordinary problem.

Her house is full of other people… people who don’t exist. Or do they?

As her surreal home life spirals out of control, Gillian determines to find out the truth and undertakes an investigation into the nature of reality itself.

Will this provide an answer to her dilemma, or will the escalating situation push her over the edge before she has worked out what is really going on?

EXCERPT
“Everything is energy,” I said, and swallowed down a lump in my throat. A lump composed of both unease and excitement in equal measure.

“Indeed. Just energy vibrating at different frequencies,” he said. “So while you think about that, here’s another interesting phenomenon that has been recorded many times, and it seems to me it has something in common with imaginary friends. Have you heard of the third man syndrome, Gill?”

I had to admit this meant nothing to me.

“Here’s an example of it,” he went on. “A mountaineer called Frank Smyth attempted to climb Mount Everest but had to turn back before he reached the summit. He reported that although he was completely alone during his descent, the feeling that someone was with him was so powerful he tried to share his Kendal mint cake with this person.

“The phenomenon is said to originate with Shackleton in 1916. While he was exploring Antarctica, Shackleton saw the apparition of a person alongside his two companions. There are countless reports of this from people who have survived terrorist attacks or extreme trauma. Some sort of threat to existence or even severe social isolation” — at this point the Professor gave me a knowing look — “can trigger this phenomenon. Some people might try to explain it with terms such as guardian angel or spirit guide, but could it be a hallucination or defence mechanism that switches on to help the brain deal with trauma and stress? It frequently happens that these apparitions offer comfort and support, and yet what of those cases where the third man not only gives advice but even leads people to safety when they find themselves in a life-threatening situation? That goes beyond mere imagination surely?” He raised his eyebrows, as if inviting a response, but his information had overwhelmed me. “I see I’ve given you something to think about. My advice is you go and do some research on this yourself.”

For a moment my mind slipped, stumbled, staggered about looking for something to grab on to. What was going on here? I looked at the Professor and he stared back, innocent as a kitten, waiting for me to speak. If I didn’t speak, would our exchange stop now? I was really talking to myself, for God’s sake. He can’t have done any research. He didn’t exist. I must have done it and either forgotten I had, or pretended to forget so it would all seem like new information.

Was I so needy I had to resort to these ludicrous mind games?

“You’re not real,” I said.

I stood and marched out of the room, my jaw clenched so hard it ached, my hands balled into fists. If there was no gin in the fridge, there’d be hell to pay, but, thank God, there was nearly a full bottle. Two stiff drinks were all I’d need for now, just to take the edge off.

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Born in Stafford in the UK, Carol Browne was raised in Crewe, Cheshire, which she thinks of as her home town. Interested in reading and writing at an early age, Carol pursued her passions at Nottingham University and was awarded an honours degree in English Language and Literature. Now living and working in the Cambridgeshire countryside, Carol writes both fiction and non-fiction.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

 

Monday, August 31, 2020

Living with Third Man Syndrome

Why I Wrote psychological Fiction
by Carol Browne

When I was recently asked to write a post about why my latest book is psychological fiction, I hesitated. After a lifetime of keeping quiet about my mental health issues, I was reluctant to shine a light on anything that might expose them to public scrutiny. They say you should write what you know, but that can often be disturbing. However, public opinion on such matters has shifted significantly in recent years and the stigma caused by any kind of psychological divergence from what is considered normal, is quickly fading as more people are open about their quirks and aberrations. And once you start researching this subject you find you are not as strange as you thought you were!

Photo by Jamie Taylor on Unsplash
I have been there, done that, and bought the T-shirt when it comes to coping with OCD, depression, social phobia, and panic attacks, but years of living on my own brought on another phenomenon that was to inspire my latest novella Reality Check. The phenomenon is called Third Man Syndrome and it meant nothing to me until I was researching the book. In effect, it is when social isolation or trauma makes people imagine there is someone with them when there isn’t. At first, I didn’t know this had a name. I assumed it was like having an imaginary friend and that’s how I approached the book. I got so intrigued by this subject I thought, “What if a lonely person imagined LOADS of people who weren't there? What if they lived in a house full of imaginary people and interacted with them?”

The imaginary friend phenomenon was the starting point but the book ended up being an investigation into the nature of reality itself as the main character tries to work out what is going on. Is this a symptom of madness? Are these people real or not? And what do we mean by ‘real’? Reality itself has so many layers it might turn out to be impossible to define it with any certainty.

And when you think about it, this is what we writers do. We create loads of imaginary people and build worlds for them to live in. They are real to us and we hope our readers feel the same way. And if it’s a symptom of anything it’s the fact that we humans are doomed to live mostly in our heads. We are both blessed and cursed with boundless reserves of imagination and creativity.

Yes, I do have an imaginary friend. I try not to talk to her but I can’t help myself. She’s only real in so far as she exists in my head. But if you live alone, eventually you must have someone to bounce ideas off. You have to be able to tell someone about your day. You must get advice from somewhere. How many other people experience this, I wonder? I have often seen lone shoppers in the supermarket talking to themselves about what to buy for their dinner. Perhaps they aren’t really talking to themselves but to someone only they can ‘see’. I expect they live alone like me and they can’t help it. So far I have resisted the temptation to talk to my imaginary friend in public, but it’s only a matter of time!

Here's a brief intro to my psychological fiction book. I hope you like it.

Gillian Roth finds herself in middle age, living alone, working in a dull job, with few friends and little excitement in her life. So far, so ordinary.

But Gillian has one extraordinary problem.

Her house is full of other people… people who don’t exist. Or do they?

As her surreal home life spirals out of control, Gillian determines to find out the truth and undertakes an investigation into the nature of reality itself.

Will this provide an answer to her dilemma, or will the escalating situation push her over the edge before she has worked out what is really going on?

EXCERPT
“Everything is energy,” I said, and swallowed down a lump in my throat. A lump composed of both unease and excitement in equal measure.

“Indeed. Just energy vibrating at different frequencies,” he said. “So while you think about that, here’s another interesting phenomenon that has been recorded many times, and it seems to me it has something in common with imaginary friends. Have you heard of the third man syndrome, Gill?”

I had to admit this meant nothing to me.

“Here’s an example of it,” he went on. “A mountaineer called Frank Smyth attempted to climb Mount Everest but had to turn back before he reached the summit. He reported that although he was completely alone during his descent, the feeling that someone was with him was so powerful he tried to share his Kendal mint cake with this person.

“The phenomenon is said to originate with Shackleton in 1916. While he was exploring Antarctica, Shackleton saw the apparition of a person alongside his two companions. There are countless reports of this from people who have survived terrorist attacks or extreme trauma. Some sort of threat to existence or even severe social isolation” — at this point the Professor gave me a knowing look — “can trigger this phenomenon. Some people might try to explain it with terms such as guardian angel or spirit guide, but could it be a hallucination or defence mechanism that switches on to help the brain deal with trauma and stress? It frequently happens that these apparitions offer comfort and support, and yet what of those cases where the third man not only gives advice but even leads people to safety when they find themselves in a life-threatening situation? That goes beyond mere imagination surely?” He raised his eyebrows, as if inviting a response, but his information had overwhelmed me. “I see I’ve given you something to think about. My advice is you go and do some research on this yourself.”

For a moment my mind slipped, stumbled, staggered about looking for something to grab on to. What was going on here? I looked at the Professor and he stared back, innocent as a kitten, waiting for me to speak. If I didn’t speak, would our exchange stop now? I was really talking to myself, for God’s sake. He can’t have done any research. He didn’t exist. I must have done it and either forgotten I had, or pretended to forget so it would all seem like new information.

Was I so needy I had to resort to these ludicrous mind games?

“You’re not real,” I said.

I stood and marched out of the room, my jaw clenched so hard it ached, my hands balled into fists. If there was no gin in the fridge, there’d be hell to pay, but, thank God, there was nearly a full bottle. Two stiff drinks were all I’d need for now, just to take the edge off.

Amazon Buy Links e-Book - Paperback



Born in Stafford in the UK, Carol Browne was raised in Crewe, Cheshire, which she thinks of as her home town. Interested in reading and writing at an early age, Carol pursued her passions at Nottingham University and was awarded an honours degree in English Language and Literature. Now living and working in the Cambridgeshire countryside, Carol writes both fiction and non-fiction.

Stay connected with Carol on her website and blog, Facebook, and Twitter.