THE GIRL IN THE MIRROR

from Anne Montgomery

A preoccupation with beauty, fueled by 24/7 internet postings, has many young women obsessed with their looks.

I’ve been working out in some form or another all my life. Though I used to be more of a gym rat, today I primarily swim laps, a habit that leaves me with goggle-eye indentations, smudged make-up, and wet hair spiking in all directions. Often, due to the insanely short life span of some of my Speedos, my suits tend to lack the elasticity required to hold my 68-year-old physique in place. I know what you’re thinking. Not a pretty picture.

But for the brief, big hair, sparkly spandex, workout era of the 80s, the health club has mostly been a place where pretty wasn’t important. Perhaps that’s why she had me so nonplussed.

The attractive young woman, probably in her early twenties, stared into her phone. Tight black shorts and a crop top encased her frame. She pursed her lips and lifted her chin. Then, looking over her shoulder at the mirror behind her, she snapped a series of selfies, shots aimed to highlight her, um, posterior.

I tried not to stare, but as I dried off after my shower and dressed, I couldn’t help but sneak a peek, now and then. The camera clicked away. She turned her hips a fraction of an inch and the snapping resumed.

Barbie’s perfect proportions created a generation of women with body-image issues.

I grew up in the world of Barbie, a perfectly proportioned piece of plastic that, no doubt, led to a generation of women with body-image issues. And while there were also magazine and TV beauties to contend with, our experience was relatively benign compared to the image assault young women must deal with today: a 24-hour stream of internet images highlighting impossibly beautiful, often photoshopped, people. Sadly, approximately 91% of women in the U.S. are unhappy with their bodies.

I’m a high school teacher and I worry about the pressure that’s being placed on our young people. Those unhappy with their looks can suffer from low self-esteem, which can lead to eating disorders, early sexual activity, substance use, and suicidal thoughts.

I was approached by one of my journalism students recently. She was writing a story about body-image issues. “Ms. Montgomery, when do women finally become happy with their bodies?”

“Never,” I said, without thinking. Her face fell. “I mean, when you get older, other things become more important.” I scrambled to put a positive spin on my answer but could see the damage was already done.

A week after I first saw her, the girl at the health club reappeared. This time, she faced a different mirror and, after lifting the edge of her shirt to reveal solid abs, she began taking pictures again. After myriad photos, she slumped onto a bench and scrolled through the images, all the while frowning into her phone.

As I gathered my things to leave, she walked in front of another large mirror and paused, staring at the floor, wanting, perhaps, to just pass it by. But something compelled her to stop and lean in close, turning her face one way then the other, as she batted long false eyelashes and tossed her hair.

Pretty can certainly be nice. In fact, studies have shown that, fair or not, attractive people are more likely to get hired, receive promotions, and have larger paychecks than those who might be lacking in the pulchritude department. However, as those pretty folks will eventually learn, physical beauty does not last.

“Ms. Montgomery, when do women finally become happy with their bodies?”

“It all depends,” I should have said to my student reporter. “Perhaps, when we focus on all the fabulous opportunities life throws at us, face our aspirations head on, and surround ourselves with people who love us and make us laugh, maybe then we stop worrying about things that are really not important.”

As I watched the girl wrench away from the mirror, I hoped she might have goals to dream about, hobbies she enjoyed, and people in her life who would love and cherish her, even on those bad-hair days. I wanted to tell her, but I did not. I think there are some things we just need to learn on our own.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

Some Teens Struggle with Career Goals

and should try a gap year.

from Anne Montgomery

Young people need to have an idea of what they want to do in the future before going to college.

It's almost time for the graduation season, and, in that regard, I want to mention an idea with which I wholeheartedly agree. And yet, just a few years ago I would have been completely against the idea.

In Abby Fawk’s USA Today Article “College can wait, but finding your life purpose can’t,” Fawk opines that American teens facing that jump to a postsecondary education are often unsure what they want their future to look like, so heading straight to college is a mistake.

As a former high school teacher of 20 years, I know Fawk is correct. I have faced hundreds of children across my desk, and when I asked what they thought their lives might look like in ten years, I was—more often than not— faced with blank stares. I would then go into my, What do you want to be when you grow up? spiel. I’d ask: What do you like to do? What are you good at? What will someone pay you to do? And again, I often received no reply.

Then the children graduated, most without any idea regarding what might make them happy in their business lives. We teachers have hammered into them that the next stop must be college. (Note that when I say college, I’m referring to any form of post-high school education.  Wanting to be a carpenter, an electrician, or an airplane mechanic are equally fine choices as wanting to be a doctor or a neurophysicist.)

What isn’t fine is having no idea what you want to study and then plowing ahead to your college of choice.

That college education is expensive, so before you go, have a plan. 

“College is the single biggest investment we can make in a young person’s life,” Hawk said. “Four years at a flagship state school can now cost $100,000 and private college can run three to four times that figure. Yet the vast majority of students arrive unprepared to make the most of the experience.”

Fawk believes that it’s time for students to revisit the idea of a gap year. As I said earlier, I did my best to dissuade kids who wanted to take a year off before getting additional education, because statistics showed that once young people start earning money, they are less likely to give up that cash flow and return to school.

But Fawk explained that a gap year, if done right, is not about losing forward momentum and can be a rewarding launch pad to a bright future.

“It’s to gather experiences and insights that inform everything that comes next,” she said.

Fawk is the founder and CEO of Global Citizen Year, a program devoted to giving young people the chance to immerse themselves in other cultures, to stretch their comfort zones, and to forge relationships with people who are different than they are. If this sounds a bit like the Peace Corps, it is. The idea is to take the year following high school graduation and expand one’s horizons. To learn more about yourself by living alongside others in a completely different environment.

A gap year can include volunteer activities such as working with Habitat for Humanity.

But the GCY project is not the only way students can accomplish these goals. A stint in the military, the Peace Corps, or volunteering can also help young people find out who they are and what they want in life.

Studies show that American teens are growing up more slowly than the generations that proceeded them. Young people struggle with basic skills like time management, problem-solving, and navigating relationships. Why then do we shoehorn them into making decisions that will impact the rest of their lives when many are clearly not ready?

The idea is to give new high school graduates a little breathing room before they make that leap. A well-thought-out gap year just might be the answer.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

Can’t Hit the High Notes

 And I no longer care.

from Anne Montgomery

I like to sing. I’m an Alto 2, which means women at my end of the vocal spectrum don’t get those high-soaring, glass-shattering solos. If singing were a house, we’d be the foundation, deep in the ground, supporting all the fancy rooms upstairs. As an Alto 2, I am also sometimes called “sir” on the phone.

I don’t have a great voice. I learned this when I auditioned for New Jersey’s All-State Chorus when I was in high school and didn’t make the cut. I also got a hint when my singing teacher one day said, “You have a nice little voice.”  At that moment, a bell went off in my head, signaling that my dream of becoming a Broadway musical actress was probably unrealistic.

Still, I did perform in about ten school and community theater musical productions, and I sang in two groups in college. One was an A-cappella ensemble that, in retrospect, was rather awkwardly named the “Swingers.” I also played the guitar with rather rudimentary skill, which made me popular at Girl Scout camp, where singing around the campfire was an evening norm.

Then, following college, I stopped singing. I stopped playing the guitar. Though I lugged that old Yamaha 12-string through eight states and 24 moves and would ceremoniously place it in a corner of whatever new dwelling I inhabited. I ignored it, save for a cursory dusting now and then.

Fast forward about 35 years. Now a teacher, I joined ranks with three of my brethren: three women with high levels of performing expertise. One used to sing with big bands and played the piano. One was a member of the aforementioned high-soaring, glass-shattering soprano circle, and the other was a professional actress. Which, of course, made me the occupier of the lowest rung on our musical totem pole. We would perform around the holidays at nursing homes, singing songs from the 1940s, 50s, 60s, and 70s, everything from the Andrew Sisters to the Mamas and the Papas to Simon and Garfunkel with the usual Christmas fare thrown in.

I enjoyed our practices and performances. I hadn’t realized how much I missed music. In an effort to make myself more valuable to the group, I picked up that old guitar. I struggled, but learned a few songs we could perform. I also served as our MC.

Then, one day, the piano player abruptly stopped during practice. “You’re off key!” she said during one of the rare times I sang solo. I tried again. “No! Here’s the note.” She repeatedly plunked the piano key. The other singers looked away, embarrassed for me.

Shortly thereafter, I got sick with what I thought was a miserable lingering cold. My doctor couldn’t figure out what was wrong and sent me to a specialist. The nose and throat man checked me out, then explained that surgery was required to remove a strange colony of anaerobic creatures that had taken up residence in my sinus. (Yep, it was as gross as it sounds. Hope you’re not eating.)

I remember, prior to the operation, I was asked to sign a batch of forms. One informed me that I might lose my eye. I signed it. Another let me know that I could suffer brain damage. I signed it. The third explained that I might come to with my voice irrevocably altered. I stared at the form, then handed it back to the nurse. “I’m not signing this,” I said, as I envisioned waking up with a voice like Fran Drescher.

The thought of never being able to sing again made me sadder than I thought possible. I know what you’re thinking. Sadder than losing en eye? Sadder than brain damage? Really? All I can say is…yes.

The good news is I neither lost an eye, was deprived of any important bits of brain matter, nor had my voiced changed. Even better, I could once again hear notes properly. And now, though our little group has disbanded, I sing and play my guitar most days with a wild abandon I didn’t have before the surgery. And, though I can hit even fewer high notes than in my youth, I don’t care as much. I’m just happy to sing.

I performed in about ten musical productions, mostly in my youth. Here, I play Golda in my high school production of Fiddler on the Roof. Even then, I knew I wasn’t the best singer in the group. It took me 40 years and the prospect of losing my voice to come to the conclusion that being the best wasn’t the point. Today, I take joy in just singing.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

BE BOLD

Women must be bold and share their accomplishments.

from Anne Montgomery 

When I was a high school teacher, I learned many young ladies were uncomfortable talking about their accomplishments. Part of my job was to encourage my students to think about the future. When it came to resume writing, I’d say, “What are you good at? What have you accomplished that you’re proud of?”

Often, I’d be met with blank stares, which was understandable because they were just kids. Still, I’d press on. “When you choose a career, it’s important to think about what you like to do, what you’re good at, and what someone will pay you to do.”

When the conversation stalled, I pointed out some of my own accomplishments. “When I was your age, I discovered I had a good speaking and singing voice, so I performed in a lot of plays. And I really enjoyed sports. I was an ice dancer and I loved swimming and skiing and watching ice hockey. Eventually, these things put me on a path to becoming a TV sportscaster.”

“Your bragging, Ms. Montgomery,” some child would blurt out. Others around the room—mostly girls—would nod their heads.

“So, you don’t think it’s right to talk about your accomplishments?”

“No!” a chorus of them would answer.

In the business world, the inability to discuss our successes is holding women back.

Then, I’d point at a boy who played sports. “How’d your game go? Which would lead the young man on a tangent about how well he’d preformed on the gridiron. Strangely, when I’d ask female athletes the same question, the response was rarely positive. “I could have done better,” one would say. “I missed an important free throw,” another might add.

Bragging, it turns out, is a habitat peopled mostly by males. A young man can walk into a job interview and wax on about his accomplishments, while women of all age groups seem to feel they must be demure, that identifying their skills and successes is unladylike and casts them in a bad light.

A perfect example is the way many women handle compliments. When someone says something nice about our appearance or a job well done, lots of us stare at the floor, or point out something we did wrong, or give credit to someone else in order to counter the accolade.  And this is a problem.

Just smile and say “Thank you!” when you receive a compliment.

I think denying our successes holds us back, especially in the business world where self-confidence and life experience say a lot about who we are and what we might be capable of in the future. Take participating in sports, for example. Business owners are delighted to hire those who’ve been on teams. They know athletes understand punctuality, working with others toward a common goal, following rules, and getting back up when you’ve been knocked down. (Note here that championships and won-loss records are not relevant. Just participating is all that’s important.) And let’s not forget those other “team players”: young people who’ve participated in choir, marching band, theater, debate, and other activities that are equally favored by many human resources departments. But those doing the hiring will not know about a person’s past if the applicant is unwilling to share the information, so it’s important that people speak up. That’s not bragging. It’s smart!

Today, I don’t hesitate to share stories about my past and the things I’ve experienced and exceeded at. And I’ve learned to accept compliments with a smile and hearty, “Thank you!” It was a bit uncomfortable at first, but now it feels great.

Don’t believe me, ladies? Just give it a try.

Please allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

Want to be an Author?

You’ve gotta have grit! 

By Anne Montgomery

 Would F. Scott Fitzgerald be successful in today’s publishing world?

Being an author is a tough job. OK, maybe not as daunting as the career track those Deadliest Catch folks are on – admittedly, I found myself reaching for the Dramamine more than once watching those crabbing boats being tossed like toys – or Mike Rowe’s gig when he does things like testing shark suits or mucking out sewers on Dirty Jobs.

Still, converting thoughts to printed words in order to tell a coherent story that’s of interest to readers, and then convincing others your efforts are important and well-written enough to publish and promote, well, there are all kinds of adversities mixed up in that endeavor.

I’ve had a number of difficult jobs over the years. I used to be a maid, on my hands and knees cleaning other people’s bathrooms. I was a baseball umpire for 25 years where I was, without question, the most disliked person on the field pretty much every time I stepped on the diamond. As a sportscaster, I was on live television about 2000 times, where, when you make a mistake, there are myriad people who delight in pointing out your errors.

Despite my labors with jobs that didn’t do much toward promoting positive self-esteem, I was definitely not prepared for the rigors of being an author. I’ve written six books: two rest in a drawer, two are published, one will be shortly, and one is a work in progress. Since I began writing 25 years ago, I have been rejected by agents, publishers, editors, and reviewers too many times to count. I’m pretty sure my no-thanks numbers have edged up over the one thousand mark. In fact, I’ve been snubbed so often that I sometimes find myself strangely delighted when I receive a rejection letter that’s, well, kind. A positive comment contained therein might tempt me to tears. (I know I’m not the only one.)

Today, aspiring authors face a different reality than those of the past. The advent of the personal computer and the Internet have paved the way for a huge release of creativity, that, depending on your point of view, is either fabulous or horrifying. On the positive end, anyone can write, self-publish, and post their book on Amazon. It’s estimated that somewhere between 600,000 and one million books are published in the U.S. alone each year, probably half of which are self-published. The other side of the equation is that without the gatekeepers – agents, editors, publishers – finding your gem in that the massive pile of prose is problematic: the proverbial needle in a haystack.

Feeling down yet? All I can say is don’t give into despair. Here’s what I’ve learned from the authors I’ve become acquainted with, my fellow travelers on this detour-filled journey. We are a tough bunch. I have not yet met an author who’s said, “I quit! I can’t take it anymore!” Perhaps that’s why I found a bit of unintended humor at the expense of one of America’s most famous writers: F. Scott Fitzgerald. I recently began watching Z: The Beginning of Everything, a biographical Amazon series based on the life of Zelda Fitzgerald, the writer’s wife and muse. In one of the early scenes, F. Scott opens a letter from a publisher. His book is rejected. And F. Scott, who up until that point was dashing and strong and optimistic, disintegrates into a despondent pile of mush and goes completely off the rails, drunk, depressed, needing Zelda to give him strength. While I know my reaction was not what the show’s writers intended, I couldn’t help it. I felt like laughing. I wanted to yell at F. Scott to pick himself up. Get over it! Move on! Try again!

And then, I wondered whether the famed writer of The Great Gatsby would have survived the complexities of today’s publishing world. And what about Hemingway? Twain? Faulkner? Steinbeck? How might these giants of the industry have navigated the choppy waters we face today?

I think they would have struggled, just like we do.

So, my fellow authors, take heart! Be strong. Be proud. The fact that you’ve even finished writing a book puts you in rarified air. You will survive, if you don’t take rejection personally – Yes, I know it’s hard – and if you have a sense of humor.

Allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

How Old am I Supposed to Look?

 from Anne Montgomery

I like to think – in fact, I believe – that in olden times wrinkles signified wisdom and dignity. Today, not so much. Drug makers, who are looking to wipe our faces clean of those evil little lines, are frothing at the mouth to create a product that smooths our skin, an effort to pump up their profits in what is an almost one-billion dollar a year industry.

I became acutely aware of wrinkles as I approached 40. Unbeknownst to me, I was nearing the end of my on-camera sportscasting career, not because I wasn’t good at my job. After all, I’d worked for five TV stations, so, logically, I opined, I must have been a competent reporter. But then, my final contract was not renewed and not a single TV outlet in the country expressed an interest in me, despite my credentials, which included working at both the local and national levels with a stint anchoring SportsCenter at ESPN.

It took me a while to catch on. Glimpses of older on-camera women I’d worked with – especially those framed unforgivingly in HD – more than hinted that they’d had “work” done. Then I’d look in the mirror. Did I really look all that different than when I first took my place in front of the camera?

My answer finally came in rather shocking fashion, a situation caused by years of sports officiating. I began calling amateur games in 1979. I first became a youth ice hockey official, which lead to me being certified in football, baseball, soccer, and basketball. It was those outside sports and silly rules about perception that doomed me. Until relatively recently, sports officials were not allowed to wear sunglasses. In fact, many still eschew regular glasses, as well, opting for contacts, lest they set themselves up for the “What are ya, blind, ump?” retorts that are often flung at sports arbiters.

My loss of vision was gradual, but eventually it was clear something had to be done. Driving at night was difficult, the glare of oncoming headlights excruciating. I couldn’t see those line drives heading my way and would lose passes and kicks in the harsh stadium lights. I had cataracts, sadly, thirty years before the age my parents developed them.

The surgery was quick and simple. I remember thinking the inside of my eyeballs looked like Jackson Pollack paintings, all swirling lines and colors. A day or two later, I stood before the mirror. The haze I’d been looking through for so long had lifted, my sight clear for the first time in years. I reared back. When had all those wrinkles appeared?

It took a while, but I eventually adjusted. I had to admit that my face no longer mattered all that much. Neither my high school students, my beau, nor anyone I cared about gave a whit about whether I had lines on my face. In retrospect, it was rather freeing.

But then one day, while walking by one of those upscale salons in a fancy mall, I was stopped by a pretty twenty-something woman with an alluring accent and flawless skin. She stared at me, tilting her head, long hair cascading about her shoulders.

“Come in! Please.” She smiled, motioning toward the ornate open doors. "Let's take a look at your face.”

As I had a little time to kill, I acquiesced. She put me in a pump-up chair and produced fancy bottles and jars of creams and elixirs guaranteed to make me look younger. Then she handed me that dreaded little round mirror that magnifies to the extreme. I’d like to say I had never succumbed to this particular sales pitch, but I suddenly recalled all those TV years when I thought nothing of dropping two or three hundred bucks on products like the ones she was showing me.

I gazed into the mirror, and then stared up at her. “How old am I supposed to look?”

She paused, tilted her head. “Younger.”

“How much younger?”

She squinted, seemingly puzzled by the question.

“Really? What age am I supposed to look like?”

She pouted, thinking.  The smile returned as she dipped the end of her manicured pinky into a blue glass jar. “Younger.”

Then I noticed my long-time beau standing in the doorway of the salon, a bemused look on his face, a man who repeatedly, over two decades, had told me that he doesn’t care if I ever wear makeup or fix my hair or don anything but jeans and T-shirts.

Though she practically implored me to buy some of her magic creams, I declined. As I walked out the door, I couldn’t help but ask her one more time. “How old am I supposed to look?” When she couldn’t answer, I smiled and thanked her. Then Ryan wrapped his arm around my shoulder.

“I love you just the way you are,” he said.

Back when I worked in TV, the condition of my hair and makeup was, sad to say, the most important consideration of my day. Years later, I began dating a lovely man who had an artist draw my portrait. The picture he chose was from a day we’d been out rock collecting in the Arizona desert. 

I had found a lovely stone, which I cupped in my hands to show him. No make-up. Hair a wild mess. 

“You’re the happiest when you’re rocking,” he said. “This is my favorite picture of you.” 

And now, it’s my favorite too.

Allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.

 

WHEN MY LIFE PASSES

 I will see dolphins.

from Anne Montgomery

The expression “I saw my life pass before my eyes,” is generally used by someone who has had a near-death experience. While I have no idea what may occur when the end nears, I have always liked that thought, as long as one only has to recall the pleasant events.

Once, off St. Kitts, I witnessed four tiny juvenile drum fish dancing in a row before a reef 

Sometimes, I consider scenes that might appear in my head when my time comes, and I find it is a rather Forrest Gump-esque list: The night at Girl Scout camp on an island in Upstate New York, snuggled in my sleeping bag, a cool breeze wafting through the pines, lake water brushing up against the rocks. An elk in Colorado, maybe ten yards between us, his majestic antlered head and dark brown eyes freezing me in place, before he turned and disappeared silently into the forest. A dive in St. Kitts where I witnessed four tiny spotted drum fish, each no bigger than a thumbnail, long black-and-white fins waving as they danced in a row before a reef.

And now, I have a new vision to carry with me.  A few days ago, in the sea off the north shore of St. Croix, we spotted three bottlenose dolphins from our dive boat. We quickly donned our scuba gear and descended to a shallow area white with sand. We knelt on the bottom and waited.

And waited.

Thirty minutes later, chilled from inactivity, we gave up, and swam away, perusing a group of coral heads down over the edge of the sand. Cold and tired we headed back toward the boat. The dive master, E.T., and I were the last in the water. We waited below the boat as other divers ascended.

While diving in St. Croix we spotted three bottlenose dolphins from our boat, so we donned our scuba gear and dropped in to join them.

Then, E.T. grunted to get my attention. She pointed at three dolphins that swam directly toward us, their snouts dipping with each gentle push of their tails. The largest, a female perhaps eight-feet long, silvery-gray with a white belly, was escorted by two smaller males. The female eyed me and guided the others over my head. I could have reached up and touched her as they glided past. Then, she dove to the bottom and stuck her nose in the sand. She stirred up a white cloud, rolled onto her back and lay on the bottom, while the males playfully nudged her. Soon, she twisted, launched herself off the sand, and they disappeared.

We waited. And they returned, over and over playing before us. Then, the female stopped, touched her tail to the sand and straightened. I had always thought of dolphins as curved creatures, but she now stood perfectly straight, snout pointed toward the sky, fins out, a signal perhaps to the males who approached and straightened as well, clinging to her sides, motionless.

They appeared as a marble statue, majestic, magical, holding the pose above the sand, her bearing that of an empress. Then she twirled and the males followed. What came next can only be described in one way: dolphin sex. I felt like a voyeur but could not turn away. I will let you fill in the rest.

At one point, overwhelmed by the beauty, this gift I’d been given by the sea, I touched my hand to my heart. When I gazed at E.T., she had done the same. We stared at one another, knowing we had shared something special.

When we finally ascended, I was speechless. Those who know me would be astounded at the idea. And I am still unsure my words here do the experience justice.

 I hugged the dive master, a woman I had met just a few hours earlier.

“E.T., when I’m dying, I will remember this,” I said.

It was only then that I noticed the elegant tattoo she bore on her right hip: a dolphin. 

The view my dolphin video click here. 

Allow me to give you a brief intro to my latest women's fiction novel for your reading pleasure.

The past and present collide when a tenacious reporter seeks information on an eleventh century magician…and uncovers more than she bargained for.

In 1939, archeologists uncovered a tomb at the Northern Arizona site called Ridge Ruin. The man, bedecked in fine turquoise jewelry and intricate bead work, was surrounded by wooden swords with handles carved into animal hooves and human hands. The Hopi workers stepped back from the grave, knowing what the Moochiwimi sticks meant. This man, buried nine hundred years earlier, was a magician.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archeological looting where black market sales of antiquities can lead to murder.

Former television journalist Kate Butler hangs on to her investigative reporting career by writing freelance magazine articles. Her research on The Magician shows he bore some European facial characteristics and physical qualities that made him different from the people who buried him. Her quest to discover The Magician’s origin carries her back to a time when the high desert world was shattered by the birth of a volcano and into the present-day dangers of archaeological looting where black market sales of antiquities can lead to murder.

Amazon Buy Link

Anne Montgomery has worked as a television sportscaster, newspaper and magazine writer, teacher, amateur baseball umpire, and high school football referee. She worked at WRBL‐TV in Columbus, Georgia, WROC‐TV in Rochester, New York, KTSP‐TV in Phoenix, Arizona, ESPN in Bristol, Connecticut, where she anchored the Emmy and ACE award‐winning SportsCenter, and ASPN-TV as the studio host for the NBA’s Phoenix Suns. Montgomery has been a freelance and staff writer for six publications, writing sports, features, movie reviews, and archeological pieces.

When she can, Anne indulges in her passions: rock collecting, scuba diving, football refereeing, and playing her guitar.

Learn more about Anne Montgomery on her website and Wikipedia. Stay connected on Facebook, Linkedin, and Twitter.