Monday, March 28, 2016

Do Authors Manipulate Readers?

by Vonnie Hughes

You bet they do! Authors know what buttons to push.

By ‘what buttons to push’ I mean what buttons do authors use to manipulate (yep, being honest) their readers’ emotions, to get them on side with the characters in their books. For example, perhaps the author creates unlikeable, evil antagonists and emphasizes the sterling qualities of his protagonists.

The most obvious ploy is the ticking clock. It not only lends urgency but it yanks the reader along at a rush, keeping him intrigued.

Then there’s characterization. Of course in this dynamic world, what worked ten years ago may not have the same appeal in 2014. The innocent 1960s virgin, so prevalent in romances of that time, would drive a reader from 2014 to drink. We are much more cynical, well-informed and downright demanding than we were then. Historically though, some classics retain their appeal because they are much more than the sum of their characters’ emotions. To Kill A Mockingbird’s racial tensions are still not outmoded today, and that lazy description of the syrupy south’s inbred attitudes is not far from the truth in some out-of-the-way places. And that is why books like these are classics. They endure not just because of the characters in the books but because of the settings and historical attitudes. And Harper Lee manipulated the readers’ emotions. Think of the way she pushes Scout’s lack of desire to be a ‘lady’ so that the reader is on Scout’s side.

Perhaps today’s writers manipulate the readers in more subtle ways. What of Dick Francis’s heroes who are often of the working class up against a criminal upper class or just up against class bigotry where he is on the outside looking in? Dick Francis does that so well that even if the protagonist is not your usual Everyman, the reader is still very much on his side. That’s right. The modern protagonist need not be a perfect hero as he has been in novels and movies of the past. Some have patchy backgrounds and they’ve made mistakes.

There’s Lee Child’s Jack Reacher who thrums a string in every male heart. They all want to be Jack with his freedom and lack of possessions but with an innate sense of responsibility. And of course Jack has been in the military and knows how to handle himself in vicious situations. Every man’s dream. There are a lot of wannabe Jacks out there. And Lee knows how to manipulate those readers.

Tami Hoag’s heroines are believably imperfect. They make mistakes and have hang-ups that readers can empathise with and they frequently have to form alliances with people they don’t trust. There’s that little brush of reality that lends credence to the stories.

So…empathy and sympathy are the buttons. And the harder those buttons are pushed by authors and movie makers, the more a reader/viewer becomes invested in the characters. We need to see how the protagonists get themselves out of a bind, or if the evil antagonists get their come-uppance. And the best books of all are where you know darned well that the author is pushing your buttons, but you just don’t care. The book is so good!

~Vonnie

Here is a short tease from Vonnie's latest romantic suspense for you.

Who can you trust if you can’t trust your own mother? Through the clammy fog, Celie Francis hears the chilling message. “I know who you are, Celie. I know where you live.” And in the terrifying aftermath she reconnects with her dysfunctional family in ways she had never imagined.

BLURB:
Abused and abandoned as a child, Célie Francis knows better than to trust anyone. But after she witnesses a murder, she's placed in the Unit "New Zealand's witness protection program" where she's expected to trust strangers with her life.

It's psychologist Brand Turner's job to ease witnesses into their new identities, not to protect them, but Célie stirs feelings in him that are far from professional. When it appears someone is leaking critical information that could endanger Célie, Brand will do anything to protect her. But first he has to convince her to trust him.

Adrift in a frightening world, Célie would like to believe the handsome psychologist is everything he seems, but as witnesses are murdered and danger swirls around them, Célie must decide "can she trust Brand with her life? 

Please click a vendor's name to read more from Lethal Refuge The Wild Rose Press and Amazon.

Vonnie Hughes is a multi-published author in both Regency books and contemporary suspense. She loves the intricacies of the social rules of the Regency period and the far-ranging consequences of the Napoleonic Code. And with suspense she has free rein to explore forensic matters and the strong convolutions of the human mind. Like many writers, some days she hates the whole process, but somehow she just cannot let it go.

Vonnie was born in New Zealand, but she and her husband now live happily in Australia. If you visit Hamilton Gardens in New Zealand be sure to stroll through the Japanese Garden. These is a bronze plaque engraved with a haiku describing the peacefulness of that environment. The poem was written by Vonnie.

All of Vonnie’s books are available on The Wild Rose Press and Amazon.

Learn more about Vonnie Hughes on her website and blog. Stay connected on Facebook and Goodreads.

5 comments:

  1. This comment has been removed by a blog administrator.

    ReplyDelete
  2. Vonnie, you certainly write what you mention in this blog! I always feel for your characters, who are never perfect, but very human.

    KM Rockwood

    ReplyDelete
  3. Thanks Kathleen, and thanks to Sloane for featuring me. I need this since I am struggling desperately with my latest contemporary suspense.

    ReplyDelete
    Replies
    1. You're very welcome, Vonnie. Sorry to hear you struggling. Bur maybe that's why you write such wonderful books? :)

      Delete
  4. Ah, To sleep, perchance to dream of getting to The End part. Good luck, Vonnie. Great post.
    Emma

    ReplyDelete