by Carol Browne
The book features an introduction by Prime Minister Stanley Baldwin, written at 10 Downing Street in 1928, in which he says of the author, “Her sensibility is so acute and her power over words so sure and swift that one who reads some passage in Whitehall has almost the physical sense of being in Shropshire cornfields.”
First published in 1924, Precious Bane tells the story of flawed heroine, Prudence Sarn, whose ‘hare-shotten lip’ means that as far as her neighbours are concerned she is cursed with ‘the devil’s mark’. It is only weaver Kester Woodseaves who can see beyond this disfigurement to the true beauty of Prue’s soul.
Prue’s goodness and gentle nature are in sharp contrast to her brother Gideon’s ruthless striving for worldly success, and descriptions of the landscape that sustains them are woven into the dramas of their lives to create a rich tapestry. Thanks to the author’s skill with words, it is safe to say that Nature is not merely a background to the story but also seems to be a character in it too. The narrative is, says Prue, “the story of us all at Sarn, of Mother and Gideon and me, and Jancis (that was so beautiful) and Wizard Beguildy, and the two or three other folk that lived in those parts…”
How to describe the style of the book? It depicts a rural England around the time of Waterloo (1815), a place of meres, country lore, dragonflies, looms and spinning-wheels. There is a fair scattering of dialect words (fascinating rather than baffling!) and curious customs such as ‘sin-eating’ and ‘telling the bees’. It is reminiscent of Larkrise to Candleford, had it been penned by a committee of authors that included Thomas Hardy, Dickens and Emily Bronte. It is a book to relax with and savour. The pace was slower in 1924 and they liked their paragraphs LONG! But the story is well paced, the heroine immensely likeable, and there’s plenty of dramatic conflict and jeopardy to keep you hooked throughout.
I have read this book many times and, having just opened it and looked at the first line of Chapter One – “It was at a love-spinning that I saw Kester first”, – I know I am going to read it again very soon! (If you want to try this book, please don’t spoil it for yourself and look at the last page. The ending is perfect!)
Authors die but they are never forgotten. They live on in the work they leave behind. As Mary Webb said herself in her Foreward to Precious Bane:
“We are to-morrow’s past. Even now we slip away like those pictures painted on the moving dials of antique clocks – a ship, a cottage, sun and moon, a nosegay. The dial turns, the ship rides up and sinks again, the yellow painted sun has set, and we, that were the new thing, gather magic as we go. The whirr of the spinning-wheels has ceased in our parlours, and we hear no more the treadle of the loom, the swift, silken noise of the flung shuttle, the intermittent thud of the batten. But imagination hears them, and theirs is the melody of romance.”
Carole Browne writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover. Stay connected with Carol on Facebook.